Gustavo Vasco

When a young Bogotá-based detective gets drawn into the jungle to investigate four femicides, she uncovers magic, an evil plot and her own true origins.

Rá, Culebro, Sere, Winny and Nano. Five boys who live on the streets of Medellín. Five kings with no kingdom, no law, no family, set out on a journey in search of the promised land. A subversive tale told through a wild and endearing clan, somewhere between reality and delirium. A journey to nowhere, where everything happens.

When an up-and-coming stylist is found stabbed to death in his home, a young detective is given 20 days to solve the case. Inspired by true events.

Belisario's wife is very sick, a healer comes to meet her and gives him the mission to climb the Andes mountains to bring back an object buried in the snow to try to save her.

When they discover that they are pregnant, a young couple in Hanoi resort to desperate (and bizarre) measures to raise money for an abortion.

A grandfather, in the final stage of his existence, asks two of his grandchildren to kill him because he wants to die by the hand of someone who bears his own blood. However, the young children discover a truth that will make them take the opposite decision.

Jim loves Dany. Accompanied by Billy, an orphan kid, he has to go to his own wedding, but nothing happens like planned since he decided to live like a cowboy.

In the depths of the Colombian jungle, the skeleton of an immense abandoned cement bridge is tucked away. It has turned into a delusional tourist attraction.

Ten young women who used to live on the streets of Bogotá close their eyes and conjure Alis. This documentation of delicate conversations depicts the imaginary friend evolving into a surface for the projection of personal experiences and a proxy for nascent dreams.

At the impressionable age of 16, young Mateo faces a dilemma about the direction his life will take when his corrupt uncle asks him to infiltrate a local Barrancabermeja theatre group to uncover its members' political activities.

An intimate portrait of the pioneering artistic collective Grupo de Cali, whose work is now considered a fundamental part of Colombia’s film history.

Decades earlier, Mama Icha moved to the United States to help her daughter with the care of her grandchildren. However, she never lost sight of her hometown of Mompox, spending years sending money to build her dream house there. Now, at the end of her life, Mama Icha boards a plane and flies back to Colombia where she bravely struggles with her loved ones.

This film follows María's quest in her process to recover her identity. Her father Carlos Pizarro dedicated his life to war in search of a revolution in Colombia. Now after 25 years of his murder, she will lift the veil and make the unanswered questions of his death.

Madre tells the story of 16-year old Andrea who leaves a poor neighbourhood in Colombian Medellin to take part in the casting for a porno movie.

Corrupt prosecutor, emerald trafficker, demonized transvestite. Omar Bautista "has been" all of these people, but he is also a 60-year-old man who was sentenced to prison for murder. After almost a decade in prison, Omar gets the benefit of 72-hour releases. A documentary filmmaker tries to follow him during these leaves, which turn into a sort of psychological hunt. With a chameleon-like behavior, Omar drags him into absurd situations that mock his way of understanding freedom... and cinema.

There are countless stories of Cubans reaching their dream destination of Florida as boat refugees. A lesser known route to the United States starts with a flight in a ramshackle plane to Guyana. Then the refugees travel to Colombia where they cross the jungle to arrive in Central America, from where they hope to reach the promised land of America—a hard and dangerous journey. Cuban filmmaker Marcel Beltrán visits them in a refugee camp in Panama, where one of the residents gives him an idea. Many people here have filmed their journey, she says, and these videos tell their real story. These jerky, shocking videos are interspersed with Beltrán’s footage of the camp, tangibly illustrating the difference between the hectic pace of the journey and the insecure life at the reception center.

Yan is a musician, he meets Leïla, they love each other. Suddenly his life changes.

Old DC-3s are the lifeline for residents of the Colombian Amazon. The film crew joins one of the planes on a flight to remote settlements. But this connection is under threat, and without it communities will face total isolation.

Napoleon buries his wife behind his house, located in an arid plain of distant mountains. He is an elderly peasant haunted by death and drought, with his wife he has just lost all hope of doing anything to stay alive. A neighbor boy offers him a chance to do something for his life and the lives of others. Napoleon must decide whether to heed the boy's call or put an end to it all.

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