Daniel García
Production
Biography
Daniel García Díaz was born in Bogotá in 1979. He is one of the founders of Día Fragma Fábrica de Películas and since 2002, he leads its production team as Executive Producer. In 2014, he commercially released in Colombia Tierra en la lengua by Rubén Mendoza, Mateo by María Gamboa and Memorias del Calavero by Rubén Mendoza, films awarded in different international festivals.
Known For
One real hour. An hour of suspense. An hour of life and death. After 60 minutes, nothing will be the same as before.
Tempo final
Eric, a ten-year-old boy, finds himself living overnight with Gabriel, his father whom he barely knows. Seeing that the man is having a hard time building a relationship with his son and staying afloat financially, Maria Isabel, the upper-class woman Gabriel works for as a carpenter, decides to take the boy under her wing.
Gente de bien
Teenager Ángela meets her three adult step-sisters for the first time when their father dies. Fearing that Ángela will end up in state custody, the sisters embark on a 900-mile journey across Colombia to leave the young girl with an aunt she doesn't even know. During this journey, Ángela will discover what it means to be a woman.
Wandering Girl
Nuria, 12, Fabio, 9, and their mother arrive on a small island in the middle of the Amazon, bordering Brazil, Colombia and Peru. They fled the Colombian armed conflict, in which their father disappeared. One day, he mysteriously reappears in their new home.
The Silences
A grandfather, in the final stage of his existence, asks two of his grandchildren to kill him because he wants to die by the hand of someone who bears his own blood. However, the young children discover a truth that will make them take the opposite decision.
Dust on the Tongue
At the impressionable age of 16, young Mateo faces a dilemma about the direction his life will take when his corrupt uncle asks him to infiltrate a local Barrancabermeja theatre group to uncover its members' political activities.
Mateo
Francisco Maldonado is sadly involved in a series of dreams that have tormented him, in which generally he, wielding multiple weapons (the machete, the shotgun, his own mother) attacks his father, with whom he has lost intense contact since the death of his mother. This December 31, the old man, Don Juan Cristo, his father, with whom he also adjoins his farm, appears again at his door, so that they finally agree, on this last day of the term after ten years of the death of his mother , the destruction of the fence that divides their lands, so that she stops being a soul in pain, and so that the municipality does not take these lands at its will.
The Fence
No description available.