Nagore Aranburu

A young woman from a traditional family learns she's intersex, sparking a journey of self-discovery, gender identity and love found in unexpected places.

17-year-old Ainara is a student at a Catholic secondary school, and is about to take her final year exams and choose her future university course. To everyone’s surprise, this brilliant young girl announces to her family that she wants to take part in an induction period at a convent in order to embrace the religious life. Nobody was expecting this. While her father seems to be won over by his daughter’s aspirations, for Maite, Ainara’s aunt, this unexpected vocation is the manifestation of a deeper problem.

A look at the impact of Spain’s Basque conflict on ordinary people on both sides, such as the widow of a man killed by the ETA who returns to her home village after the 2011 ceasefire between the separatist group and the Spanish government, and her former intimate friend, the mother of a jailed terrorist.

Cristóbal Balenciaga makes his debut as a designer in Paris, but the designs that set a trend in Spain don't work well in the sophisticated empire of fashion where Chanel, Dior, and Givenchy set the trends. Guided by his obsession with control in all aspects of his life, Balenciaga will define his style and end up becoming the greatest of all.

When a billionaire entrepreneur impulsively decides to create an iconic movie, he demands the best. Renowned filmmaker Lola Cuevas is recruited to mastermind this ambitious endeavour. Completing the all-star team are two actors with massive talent but even bigger egos: Hollywood heartthrob Félix Rivero and radical theatre actor Iván Torres. Both are legends, but not exactly best friends. Through a series of increasingly eccentric trials set by Lola, Félix and Iván must confront not only each other but also their own legacies. Who will be left when the cameras finally start rolling?

Miren goes to the police station with her lawyer and denounces her husband for continuous rape during a marriage, perfect for everyone who knows them, which has lasted more than 30 years. Her husband claims not to have done anything wrong and feels a victim, outraged and wronged. Their eldest son decides to support his father because he himself is afraid of having crossed that line. Their youngest son decides to support his mother because he has also felt that invisible violence.

Twelve short films, twelve portraits of the city of San Sebastian.

Western Pyrenees, year 778. When his land is threatened by the ruthless armies of the Frankish emperor, a Basque warlord asks for help from his ancestral gods.

After breaking up with his partner, 76 year-old Vicente leads life the way he likes it in Maspalomas: he spends his days lying in the sun, partying, and looking for pleasure. An unexpected accident obliges him to return to San Sebastián and to the daughter he abandoned years ago. Vicente will have to live in a retirement home where he finds himself driven back into the closet and to conceal a part of himself that he thought was long resolved. In this new environment, Vicente must ask himself if he has enough time left to make his peace with others… and with himself.

Ane is in her mid-forties and delighted when a stunning bouquet of flowers is delivered to her home. But the site manager has no idea who to thank – one thing is for sure; her jealous husband, Ander, is not the unknown cavalier. As these gallantries increase, always on a Thursday and always with an anonymous sender, Ane’s life takes on a new direction. The life of Lourdes is also sent into turmoil by beautiful bouquets of flowers: Since the death of her husband in a traffic accident, flowers have been deposited regularly at the scene. Lourdes’ mother-in-law, Tere, is determined to get to the bottom of the anonymous flowers. Jon Garaño and José Mari Goenaga’s feature film debut pays charming homage to three headstrong women and the power of flowers.

Inspector Nerea Garcia is sent to a small fishing village to investigate the disappearance of a skipper. She will soon realize that it is not a routine case and that nothing is what it seems. The past is always unpredictable.

Karmele is a Basque nurse exiled to France towards the end of the thirties. There, she meets Txomin, a master trumpeter, with whom she shares a love story and political commitment between Paris, Caracas and the Basque Country. Together, they build a family and seem to have a great mutual understanding; until the time comes to choose between loyalty to family or ideas.

Lide works the night shift for the construction company in charge of a new high-speed train network, a project that has attracted protests and violent attacks. One morning she wakes up to discover that her teenage daughter, Ane, is nowhere to be found.

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Nerea Garcia is having a rough time of it; it’s four years since she was thrown out of the Basque Ertzaintza police force and she now leads a solitary life in her Bilbao home. The appearance of a woman’s corpse, murdered in some kind of ritual, prompts her former boss to ask her for help with the investigation. What Nerea hadn’t realised is that ghosts from the past and present would lead her down into the bowels of the city, where nothing and nobody is what it seems.

Irene, a former member of the terrorist gang ETA recently released from prison in Catalonia, recalls her past during her return trip to the Basque Country.

In the late 1980s, in a working-class neighborhood on the outskirts of Bilbao, Basque Country, Spain. A girls' rhythmic gymnastics team has the opportunity to compete in a tournament in Berlin; but since the girls' mothers cannot take time off work, it is the fathers who must accompany them on the trip.

Emma wants to learn how to communicate with the spirit of a girl who has been trapped in a hermitage for centuries, and to that end, she tries to persuade Carol, a sceptical medium, to help her.

The story of a family; the story of a conflict. The rural and the urban, the past and the present, parents and their offspring: opposing ways of life struggle against one another whilst, in eloquent silence, the grandmother ('amama') watches her family’s destiny unfold.

Andrés, a music teacher diagnosed with cancer, seeks treatment at a hospital in the city. His travels there on a singular, dilapidated bus accompanied by other cancer patients. It soon becomes an extraordinary experience, giving him new friends and a far more joyous understanding of life. He also learns to conquer his fears, such as the stage fright which has frustrated a budding career as a musician.