Directing
Zones césariennes (which covers the year 2002) is one of Gérard Courant's Filmed Notebooks shot on film. These episodes now coexist with their counterparts filmed on videotape. They are two films with parallel lives but opposing destinies, colliding and eyeing each other warily. They represent two approaches, two styles, two different ways of understanding cinema. Two methods for unfolding time, grasping memory, and exploring the world.
A chronicle of the fantasies and dream of women in avant-garde contemporary cinema. The faces and bodies of new women haunt the paths and alleyways of avant-garde cinema.
Night-time, only moped, bicycle and car lights draw our silhouettes. Metabolic disruptions: we turn into cats and we think we are loving for the first and the last time (play on words in French: foi-faith/time). This film followed the August 2001 criteria: s short film bursting with sunshine.
In one day and night alone, a crowd of obstacles appears on a young tiger’s route, convinced that a plot is brewing. ‘Jungle Tale’: Young, dynamic manager caught in the trap of his Machiavellian everyday life, Shere Khan comes out of work and returns home. A considerable number of closed doors, narrow alleys slipping by in a cold light rise up against him. The statues also show in contrast, the emptiness of his hectic life. A man who is going to quickly lose himself. This film followed the criteria of November 2001: a short film with a striped synopsis.
met Laila at the art video festival in Casablanca in March 2000, it is the first time that I am friends with a woman who prays for Allah. Six months later she marries my brother Christophe.
A writing metaphor, playing with memory from the reading of "W or The childhood memory", Georges Perec book.
Fruit market, shopkeeper's market? I walked in the streets of the Golden Drop, not chained which begins as the last potential painting of the triptych of toured-mounted dances Valse and Roc except that they also follow in the footsteps of Pierre Merejkowsky and Frédéric Lemaître until less than a minute of silence. This film followed the constraint of June 2005: a short film based on a text from the JIC (Journal Intime Collectif).
Burkina new year muslim ritual, otherwise known as the sheep fair. Ouagadougou, March 2nd 2001. This film followed the September 2001 criteria: the great feast of short films.
A red hat in gestation, threads like ropes knitted by grandmother's bows. sound creation by Pierre-Olivier Boulant This film followed the constraint of June 2005: a little adulterated film.
An echo of the ‘waltz’, a mysterious apparition, a nocturnal trace of a lover’s way around Parc Monceau, surrounded by buildings, where there is a rock without lips to kiss. A bid for freedom on the base of a languorous waltz mixed with the declaration of African independence. So, is Roc an echo of Su?
Flowers blossoming in the Parisian metro, call to freedom which waltzes in a melancholic tango and searches for innocence in urban unconcern. This film followed the October 2000 criteria: short film without aim.
I was with Rose when I discovered this flowery underwear for 1€ at the Place Jean Jaurès market in Marseille. Roselyne Roche had begun to make films in Super 8 well before me. I dedicate this short film in pink, red, black and white to Rose. I made it for her with me, named it ‘A Rose’ for the circumstances. This film followed the December 2003 criteria: a short film for giving.
Obvious, well before the 1914 war, freedom is in danger! Friends! From poetry what the devil! Come on music! This film followed the September 2002 criteria: a short film with a soundtrack and from February and April 2002: a short political film in two parts. Sound creation: April 2003 with Jean Cocteau’s voices to ‘The Great War.’
Christophe rolls, nicknamed cristobal, crycry, from now on cristobulle, has not succeeded in making a big bubble with his Malabar:’ cristobulle-malabule-malhabile…’This film followed the January 2004 criteria: a short film about nothing.
No description available.
Oh Didon Énée ! film letter number 2116, an answer to colas ricard letter number 916.
Muslim baptism ritual with ‘a little something’ of an American Catholic touch. In the heart of the sun, they dance in unison in a strange and worrying native circle. The infant only appears at nightfall. This film followed the August 2001 criteria: a short woman’s film.
Vampirical cry from the voice of the piano….or, when inspiration came in a dream. This film followed the criteria for April 2000 and June 2003: a short boys’ film and a mute film respectively.
A self-portrait turning around by foot after picking up fragments of myself from all around. Return home: accept that the only balance is movement. Contemplate serenity tourmented by this gay knowledge.
The secret is that there is no secret. A hymn to life scrambled by a dull and cold desire to reduce all cars to an omelette (angry with consumer society). This film followed the constraint of September 2004: a little secret film.
