Caterina Monzani

In the heart of Sicily, where the Mafia still rules, one man and his family-run TV station, has become the lone voice against corruption and organized crime.

The life, death and impact of working-class icon Qandeel Baloch, who was killed in 2016 after becoming Pakistan’s first social media celebrity.

The search for La Flor de Irupé, a lost film by Guillermo Zúñiga, a Spanish pioneer of scientific filmmaking who was exiled in Argentina after the Spanish Civil War, triggers a journey into family histories and national archives.

The film trilogy "Tetuan, Tetuán, Tetwan" deals with the traces that the colonial past in Morocco has left in Spanish society through an experimental collaborative methodology. It examines cultural production, public space and the collective imaginary through the prism of the ghost, understood as an echo of silenced voices and historical facts. Developed with Moroccan and Spanish cultural agents, the project explores narrative strategies to resignify places such as the Plaça Tetuan in Barcelona, the neighborhood of Tetuán de las Victorias in Madrid or the cinema “Español” in the proper city of Tetwan, Morroco.