Miroslav Krleža

With WWI finally ending in 1918, Croatian journalist Kresimir Horvat travels from Zagreb to his village of Vucjak in Zagorje and becomes a witness of history as Austria-Hungarian Empire dissolves.

Maks is a brilliant lawyer who has been serving for years one of Croatia’s most powerful and ruthless businessmen, who made his fortune in the aftermath of the Balkan War. Maks’ latest service has been to have his client declared innocent of the murder of two of his workers for acting in self-defense. But the sudden appearance of a former girlfriend triggers a crisis of conscience in Maks, leading him to confront his employer and risk his life by uncovering a dense network of corruption at the highest level involving all branches of the State.

To pay off his gambling debts, Lembach, an ex-officer of Austro-Hungarian army, extorts money from his wife Laura and her lover Krizovec. Krizovec himself has a love affair with Russian countess Georgievna, who herself is also into romantic relationship with another Russian countess. This tetragonal love affair comes to its boiling point.

It is 1918, the evening of The Great War. Austro-Hungarian empire is collapsing, and all around Croatia there are outlaw deserters, fighting in forests. A city journalist decides to become a country schoolteacher, just to find some peace in that restless political situation. But, neither the village is safe from the militaristic policy of the imperial goverment.

The last play that Miroslav Krleza ever wrote. Especially interesting is the directorial concept, which sets the play in the space of the old Dubrovnik fortress, and used the audience as semi-active participants in the event. Two acting ensembles played for different audience with a short time lag.

Piano player is commissioned as an officer in WW1 Austro-Hungarian army. His sensitive soul is being tormented by war atrocities. And then he is ordered to hang an old lady...

The Glembays of Zagreb are a rich family cursed with tragedies and haunted by sinister past. Leone Glembay, a rebelious son of the family patriarch, is becoming disgusted with hypocrisy, perversion and crime that runs in the family.

A TV film based on single act drama written by Miroslav Krleza, that belongs to his expressionist phase. It was first published in 1922, and then regularly as a part of collection of plays called "Legends". By giving them this primordial biblical names, in this drama Krleza speaks about the intricate relation between two lovers, while interweaving reality and unreality, giving wider context of human relations to everything.

A projection of the situation in monarchist Yugoslavia after the infamous Proclamation and the Law on the Protection of the State, when repression and police violence stifled any progressive idea. Inspired by some literary works of Miroslav Krleza.

By using the motifs of Krleza's play "Adam and Eve", written in 1922, director Tomislav Radic questions a similar pattern of male-female relations in a trivial, contemporary context. With Krleza's lines, Radic counterpoints almost documentary sequences from life, showing how Krleza's youthful distaste for the bourgeois concept of "love" can be actualized in a fundamentally different social environment.

No description available.

After Laura's husband commits suicide, her lover Ivan Krizovec and her spend a torrid night together.

A man and his conscience are shown on their way to paradise as the only illusion that saves him the present civilization's hell. However, it is the same people and same events that await him there.

Documentary about painter Petar Dobrovic.

Television adaptation of the play "The Ballad of Petrica Kerempuh", based on the famous collection of Kajkavian songs by Miroslav Krleža.

Actors play out scenes and conversations based on Cengic’s biographical book Dance over Volcanoes (Ples na vulkanima) about Krleza as well as Krleza’s own poetry about his struggles, work, national myths and ethics.

A drama in one act by the Croatian writer Miroslav Krleža, published in 1914. The plot takes place during one carnival night when three masked protagonists – a husband dressed as Don Quixote, his wife dressed as Colombina from commedia dell’arte and her lover Pierrot – observe their relations.

A psychological study of scenes from married and unmarried life, verging on the grotesque. A play about mutual attraction and insurmountable resistance between the sexes, about infidelity, emotional exaltation and hostile aridity, false self-images and ambitions, and wounded vanity. TV recording of a theatrical performance by Prague's Činoherní klub.

Based on Krleza’s essay written in 1935 which warned about the rise of fascism and Nazism in pre-WWII Europe.

Short by Z. Bourek.