Takeshi Yagi

Ultraman Gaia is a Japanese tokusatsu TV show and is the 13th show in the Ultra Series. Created by Chiaki J. Konaka and produced by Tsuburaya Productions and Mainichi Broadcasting System, Ultraman Gaia was aired on JNN TV stations from September 5, 1998 until August 28, 1999, with a total of 51 episodes.

Ultraman Max was an Ultraman TV series which started airing on 7 July 2005, and produced by Tsuburaya Productions and Chubu-Nippon Broadcasting Co., Ltd.. The show tried to return to the true formula of new monsters every week and being a fast paced show like previous series with the exception of Ultraman Nexus. The show is full of homages to past series by having three of the original cast members from the first Ultraman series being featured in an episode, updated versions of classic monsters like Red King, Eleking and Pigmon among others. One unusual episode revolves around the filming of the 1964 program Ultra Q which was the predecessor to the first Ultraman show in 1966. Two actors from that show appear as themselves.

Ultraman Cosmos is a calm and gentle alien of unknown origin who seeks to protect Earth. Unlike most Ultramen, Cosmos is a pacifist and prefers to resolve his disputes or disagreements by the way of peace.

The TLT is a covert international anti-monster unit established secretly to combat Space Beasts, mysterious monsters that are out to attack humans in the year 2009. One of the TLT's new recruits, Kazuki Komon, is attacked by one of them prior to reporting for duty. However, he is saved by a silver giant that he names "Ultraman". What no one knows is that the silver giant is an Ultraman — to be precise, Ultraman Nexus, ready to fight the Space Beasts to save the planet Earth.

Ultra Q: Dark Fantasy is a 2004 production, and the 19th installment in the Ultra Series that was broadcast in Japan in 2004. It is a sequel to Ultra Q, the first of the Ultra Series. It retains the same swirling effect for the titlecard, but with the words "Dark Fantasy" added underneath, the title also remains black and white.

Ultraseven X is the 23rd entry in the Tsuburaya Productions' long-running Ultra Series. It is a revival of the 1967 classic Ultra Seven, and is the first in Tsuburaya Productions' Ultra hero series to be exclusively for an adult audience and in wide screen high-definition format. The show first aired on October 5, 2007 at 2.15am on CBC and 2.25am on TBS.

Ultraman Mebius is joined once again by Ultraman, Ultra Seven, Ultraman Jack, and Ultraman Ace, as well as three later Ultramen (Tiga, Dyna, and Gaia) to fight more powerful versions of familiar Ultra Monsters.

Ultraman Tiga: The Final Oddysey was sort of an epilogue of the Ultraman Tiga series. Just when we thought that the world is safe, it's under attack again! A TPC excursion (including GUTS' Captain Megumi Iruma) headed to an old ruins and unintentionally woke up three evil ancient giants whom Daigo, later on, has visions of. What's so haunting about his visions is that they're not only three but four evil giants, including Ultraman Tiga in a very dark physique and a very evil aura. After a series of visions, Daigo was able to meet the three evils who beat him up and left the Black Spark Lens to him. Later on, the ultimate battle begins in the ancient ruins. Daigo as Ultraman Tiga, who is supposed to be the warrior of light, must use his powers, however dark, in order to defeat the three evils.

An NHK documentary about the talented actresses who have portrayed the beautiful, intelligent and resourceful heroines of the long running series. Features interviews with Kumi Mizuno, Keiko Mari, Yumiko Shaku, and Megumi Odaka. Also featured are never before seen 8mm home movies shot by producer Tomoyuki Tanaka on the sets of classic Toho films.

In the 21st century, multiple mysterious phenomenon began to occur as monsters who were initially thought to be a part of mythology had come to life. These phenomenons had also resulted from human activities that disrupted the nature of the ecosystem. Ultraman Max is the titular giant of his series. Originally a civilization observer sent from Nebula M78, the sacrifice of Kaito Touma changed his mind into bonding with with the youth and actively defending Earth from monsters and alien attacks. Arthouse Ultraman is a movie with four episodes edited together, theatrically released at Fantasia Festival 2006.

After the battle against Zogu was over, both Gamu and Fujimiya began to live normal lives until another threat arrives on Earth - a surviving monster soldier of Zogu's army named Gakuzom.

Wakabayashi is a poor office worker at a housing company. His grades have not improved recently and he has no girlfriend to spend his holidays with. One day, while slurping down ramen at his favourite restaurant, his eyes meet those of Komachi, a part-time worker who has just returned from delivery. 'Ugh, beautiful!' She was born in a foreign country, or perhaps her language is poor. She may have been born abroad and her language is poor, but she is good-natured and, above all, beautiful. Wakabayashi, who is single, falls in love at first sight, but the owner says coldly, "Don't get carried away. She's no ordinary girl", she says coldly. When Wakabayashi, who is depressed, goes to town, he sees Komachi, beautifully dressed in a yukata. What secret is she hiding behind her seemingly effortless appearance?　A contemporary fantasy featuring Nao Nagasawa, a popular actress who made her debut in the Sentai series.

A look at the unrecognized work of the talented artists and craftsmen who've maintained the tradition of Japanese special-effects. Highlighted is Yasuyuki Inoue along with various crew members who crafted meticulously detailed miniatures and risked life and limb as suit actors. All done to bring to life some of film's most iconic monsters through a distinct Japanese artform.

The Owl Man" depicts the madness of a man who is swallowed up by an urban legend he created himself; "The Iceman" tells the story of a fatal intersection between a traumatized boy and a spectacle called "Kappa on Ice"; and "Dead Man's Love" shows the confrontation between women involved with a female painter who only continues to paint pictures of the dead. At first glance, these may seem to be stories about the inhabitants of a mysterious and strange other world. However, they actually have the power to cut out certain aspects of modern society and bring out the darkness that lurks in your deepest psyche.

A Japanese tokusatsu kaiju proof-of-concept short film directed by Takeshi Yagi and written by Yagi, Todd Silverstein, and Jordan A. Y. Smith. It is the end result of a tokusatsu film production course taught by Yagi for the online subscription service Narō. Though only about 6 minutes of footage was cut together and shown at Tokyo Comic Con on November 24, 2022, Yagi and his crew intend to put proceeds from course subscriptions toward getting AKARI made as a feature film or television series. It stars the titular Akari, a woman turned giant with alien technology, fighting off a berserk cybernetic monster.

A young samurai must choose between the life of the sword or quiet, family life.