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Bruno Forzani

Bruno Forzani

Directing

Biography

Bruno Forzani is known for directing Amer (2009), The Strange Color of Your Body's Tears (2013) and Let the Corpses Tan (2017) with Hélène Cattet

Known For

Reflection in a Dead Diamond
6.2

When the mysterious woman in the room next door disappears, a debonair 70-year-old ex-spy living in a luxury hotel on the Côte d'Azur is confronted by the demons and darlings of a lurid past in which moviemaking, memories and madness collide.

Reflection in a Dead Diamond

2025
The ABCs of Death
5.0

An ambitious anthology film featuring segments directed by over two dozen of the world's leading talents in contemporary genre film. Inspired by children's educational ABC books, the film comprises 26 individual chapters, each helmed by a different director assigned a letter of the alphabet. The directors were then given free reign in choosing a word to create a story involving death.

The ABCs of Death

2013
Amer
6.2

Ana is confronted with body and desire at three key moments of her life. As a young girl, she brings her dead grandpa back to life. In her puberty, she discovers the power of decay and sexuality. Finally, she wrestles with loss and loneliness when she returns to her parental home, now derelict.

Amer

2009
Let the Corpses Tan
6.2

With a heavy haul of 250 kilograms of gold bullion, the grizzled criminal mastermind, Rhino, and his ruthless gang of cutthroats, head to a ramshackle retreat somewhere in the Mediterranean to lay low on a scorching day of July. However, the unexpected and rather unwelcome arrival of the bohemian writer, Bernier, his muse, Luce, along with a pair of no-joke gendarmes further complicates things, as the frail allegiances will soon be put to the test.

Let the Corpses Tan

2017
Surrealistic Nightmares: An In-Depth Look at Walloon Horror Cinema
N/A

After researching the Flemish horror cinema in "Forgotten Scares", director Steve De Roover - with the help of co-director Jérôme Vandewattyne (Spit'N'Split) - digs deeper in the follow-up documentary "Surrealistic Nightmares" and shows the beginning of Walloon horror cinema in the '20s (!) and how the genre evolved during the following years. Through unique experiences from the original cast and crew, horror experts and various genre journalists, a broad and in-depth picture is painted about the one-of-a-kind horror legacy from the French side of Belgium, without forgetting the difficult cinema landscape of this small country with two very different languages. "Surrealistic Nightmares: An In-depth Look at Walloon Horror Cinema" is illustrated by exclusive behind the scene footage, famous film scenes and loads of original promotional artwork.

Surrealistic Nightmares: An In-Depth Look at Walloon Horror Cinema

2025
The Strange Color of Your Body's Tears
6.3

Returning home from a business trip to discover his wife missing, a man delves deeper and deeper into a surreal kaleidoscope of half-baked leads, seduction, deceit, and murder.

The Strange Color of Your Body's Tears

2014
Santos Palace
5.0

Santos Palace is a coffee shop in Belgium. There, a waitress serves a strange client. Their eyes meet, minutes pass and we seem to witness a love story that hasn’t began or may have already started, with its potential jealousies and passions, or which may never happen at all; another type of romance. The feeling of seeing or being seen, the rhythmical editing, the use of cinemascope to make objects and spaces appear as abstract forms, the predominance of detailed shots: these are all obsessions, forms and audiovisual ideas that explode in this surprising film.

Santos Palace

2006
O Is for Orgasm
6.0

Orgasm forms part of The ABCs of Death, a horror shorts anthology that unites a diverse collection of international directors in their ability to disgust, amuse, and – perhaps most importantly – provoke its audience. Orgasm certainly is provocative as the film documents a sadomasochistic sequence that includes the erotic asphyxiation of a woman that (perhaps) ends in her death.

O Is for Orgasm

2012
Yellow Room
5.3

The Giallo film reinvented as an experimental S&M-tinged fever dream, told through a combination of color-gelled cinematography and jump-cut photographs, infused with dark sensuality and perverse cruelty. The short films of the directors of Amer are technically rawer than that film, but they show what was to come in terms of themes based on giallo films and an abstract style, from the use of still frames like in Chris Marker's La Jetée to harsh coloured lighting. They are worth seeing by themselves as a refining of their ideas into a fantastic debut feature film.

Yellow Room

2002
The Strange Portrait of the Lady in Yellow
5.1

A woman takes a shower when she suddenly hears something. What is causing the sound and what is it that we see?

The Strange Portrait of the Lady in Yellow

2004
Darling
N/A

New York, early '60s. Gloria, a young painter, lives in the underground artistic microcosm of the Big Apple. One night, she is attacked and raped by a mysterious character with white eyes. This aggression provokes an inner cataclysm that inexorably pushes her towards self-destruction. In order to put an end to the chaos her attacker has unleashed in her, Gloria decides to search for this man in the streets of New York.

Darling

Small Gauge Trauma
1.0

Hand-picked by Fantasia’s Mitch Davis, SMALL GAUGE TRAUMA is an extraordinary collection of 13 award-winning shorts from 8 countries. It represents some of the strongest and most eccentric highlights from the festival’s trailblazing history with the form and is a veritable must-have for lovers of the unusual, aficionados of the fantastic and anyone with an interest in world cinema.

Small Gauge Trauma

2006
The End of Our Love
6.8

Pieces of memories restitute what remains from a lost love.

The End of Our Love

2003
Catharsis
5.5

Short horror film from the directors of Amer.

Catharsis

2001
The Face
N/A

A man lives in a labyrinthine city, populated with people with the exact same face as his own. Until one day he meets someone with a completely different face.

The Face

2009