Ihor Podolchak

This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.

A funeral procession leads to a distorted reality where time loops and images of death appear. A psychiatrist is invited by a family to help with their father’s suicidal fixation on ropes and knots. As he delves into the case, he blurs the lines between doctor, patient, guest, and priest, questioning his own identity and the shifting nature of reality.

Somnambulistic circus Ribera&Velazquez welcomes everyone to the show, where shadows, that escaped the platonic cave, turn the carousel in the foggy catacombs.

The goal of the project is to question the contemporary understanding of the environment of art and to create a new and concrete analogy to Zen-Buddhist subjects for meditation, which direct actuality to the fundamental questions related to being.