Luis Gerónimo Abreu

The young and fierce daughter of a wealthy landowner falls for a charismatic young laborer—only for their families to tear them apart.

Several families move into a high-end apartment building where they meet Onofre Villahermosa, the handsome, charming neighbor living in the penthouse. Little do they know that he is a criminal and a psychopath who has installed hidden cameras all over the building and in their homes, and uses the information he sees and hears to manipulate them without them knowing. This is also the story of couples who discover love at different ages.

This dramatization depicts the life -- and loves -- of Venezuelan Gen. Simón Bolívar who helped liberate several Latin American countries from Spain.

Arroz con Leche is a 2007 Venezuelan telenovela written by Doris Segui for Venevisión and distributed internationally by Venevisión International. Eileen Abad, Marlene De Andrade and Alba Roversi star as the main protagonists, accompanied by Juan Carlos Garcia, Luis Gerónimo Abreu, Henry Soto and Carlos Cruz.

Juan Andrés is a lawyer seeking to fulfill his god-father's last wish to find the missing daughter he had with the only woman he ever loved. Little does he know the missing daughter is Beatriz Elena, an ecologist he falls in love with.

La viuda joven, is a Venezuelan telenovela produced by Venevisión. Created by Martin Hahn, it stars Mariángel Ruiz and Luis Gerónimo Abreu as the protagonists while Verónica Schneider, Astrid Carolina Herrera and Beba Rojas star as the antagonists.

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A shocking secret, ex-lovers and the arrival of an outsider shake things up for Liz as she celebrates her birthday at a lesbian-owned resort.

Federica finds out that the baby she's expecting doesn't share her DNA. She goes to the clinic where she underwent an in vitro fertilization treatment and they acknowledge they made a mistake by exchanging her embryo with another couple's.

.Un periodista se introduce clandestinamente en la celda de Miranda, en la Carraca el 10 de Julio de 1816. El joven periodista urge al generalísimo para que le conceda una entrevista, con el objeto de propagar su pensamiento anticolonialista en cierto periódico de vanguardia que se edita furtivamente en Cádiz. Miranda, viejo zorro de la geopolítica internacional desde el siglo pasado, desconfía del impetuoso muchacho, quien poco a poco se va ganando su confianza hasta que el cautivo accede a concederle la entrevista.Aquí comienza un viaje retrospectivo de la vida del generalísimo donde la vuelta al pasado, a los momentos formativos más trascendentes de la construcción del joven, del hombre, del seductor, del soldado español, del ilustrado, el desertor, el independentista, el político, el guerrero, el espía, el contrabandista, el hereje, el conspirador y el precursor, se narran para develarnos la magnitud de Francisco de Miranda, quizás por siempre el más universal de los venezolanos.

The film tells the story of a parrot who after being sold to traffickers of animals as a child at the time of Marcos Pérez Jiménez, passes from hand to hand all his life and changing its name depending on your business, while being observed before his eyes the evolution of Venezuela for 50 years (1950 to 2000).

Four stories, each based on real events from Venezuelans in exile. Four countries in which the same reality reflects the serious migration crisis that exists in the South American nation.

Inspector Rodríguez resigns from Venevisión and decides to set up his own detective agency with his inseparable partner "Pacheco."

Ten years after General Antonio José de Sucre - Grand Marshal of Ayacucho- was murdered in the Berruecos jungle, Colombia. The inquiry into his death is reopened, Captain Alejandro Godoy take charge as prosecutor. Several political motives mean that the case must definitively be drawn to a close. Godoy discovers that a large part of the documentation produced during the original inquiry has been destroyed. With his own life in danger, Godoy discovers a highly intricate plot that put an end to Sucre's life.

Susana wants to leave the country at all costs. She plans to leave with Felipe, her fiancé, who decides to leave her to return to his family. Tomás and Gustavo plan the assault on a money exchange house to achieve the happiness that life does not give them. Vargas and Gutiérrez tighten the thread of good and evil in a fight where abuse and force win the battle against naivety and impotence. A bag full of money, an unknown path, the number of hours, and the steps of those who follow them, will make it increasingly difficult to cross the mountain and flee to another country. Cerro el Ávila, which borders Caracas, will be the stage where plans and destinations will change course.

Aquiles, an introverted museum curator is abandoned by Veronica, the love of his life. That same day, Víctor, an old and partying friend, whom his wife threw out of the house, arrives seeking refuge, but wants to turn this temporary shelter into his permanent home. Aquiles realizes that living with his friend is a nightmare and plans for Víctor to reconcile with his ex-partner Alicia so he can leave. Aquiles discovers that she is a lovely and wonderful woman, he does not fully understand how Alicia fell in love with a man like Víctor, and although she has a little remorse, she moves forward with the cupid plan. But Aquiles playing as cupid has a very bad aim and in the end, the arrow will point at him.

Esther and Gustavo are celebrating seven years of happy marriage. Two beautiful children and a comfortable home in a residential area backs the stability of the still young couple, a conventional model of marriage where nothing seems to disturb their harmonious coexistence.

In crisis-stricken Venezuela, two former schoolmates run into each other years after graduating and face a question that puts their identity to test. Will they rebuild their homeland or be forced to migrate?

A sharp black comedy that lays bare the contradictions, obsessions, and moral emptiness of a Venezuelan man who has climbed the social ladder through easy money rather than effort. The film portrays a glittering yet hollow way of life, marked by excess, paranoia, and emotional dislocation. Oswaldo, weary of his stagnant marriage, embarks on a passionate affair with a television star, believing that money lies at the center of all human relationships. In a world where everything seems purchasable—desire, loyalty, even identity—the film exposes the seductive illusion and underlying madness of sudden wealth.