Directing
Christina Goering and Frieda Copperfield suddenly decide to abandon their suffocating universe. They embark on a trip around the world in search of an impossible sanctity.
More young cinephiles in part three of Skorecki's three part film.
Documentary about the the film critic and filmmaker Jean-Claude Biette.
No description available.
Reflection on the relationship between image and voice-over in cinema, punctuated by the reading of a short story by Sade recounting the incestuous love of a father for his daughter.
Story of a squatter family told by a rat.
Film by Patrice Kirchhofer.
This film is an audio interview of Louis Skorecki, filmmaker and film critic for Cahiers du cinéma, by Patrice Kirchhofer and Gérard Courant. This interview, later put into images by Gérard Courant, is centred around the feature film Eugénie de Franval, based on Sade's novella, which Louis Skorecki shot in 1974 and which was awarded the prize of "la porte entrouverte" at the festival of young cinema in Toulon in 1975 by the jury composed of Marguerite Duras, Shuji Terayama and Dominique Noguez.
Scorecki recounts his work as a critic and filmmaker.
Continuation of the essay on the cinema of Louis Skorecki through the relations of some young cinephiles.
A short film by Louis Skorecki.
A 2-voice reading of the 1978 article "Contre la Nouvelle Cinephilie", written in 1978 by the film's director.
After twenty years, a group of friends meets to talk about cinema, like they always do. They haven’t grown older; on they contrary, they seem to look younger. They all still live in a world of their own, they refuse to be in touch with reality and express themselves by dropping names and pearls of wisdom. However, beyond this austerity, the portraits of funny characters emerge, humane and authentic in their own way.
Esther and André are a part of a group of young people. They go to the cinema and speak about it often. They love each other from time to time; the group eventually comes undone. Jean is in fact the only true cinema enthusiast. Coming back from the cinema, he watches TV and thinks that, certainly, the cinema is buried well and truly.
