Danièle Panneton

After years of keeping his detectives at the headquarters, the Montreal PD has decided to reassign them to neighbourhood precincts in an effort to get closer to the population. Nadine Legrand and Patrick Bissonnette have to find their footing in their new work place: District 31.

A determined immigrant builds his way up from zero in Quebec's competitive 1990s business landscape, navigating challenges and opportunities while creating a successful enterprise.

Mohawk archaeologist Baptiste Asigny engages in a search for his ancestors following a tragic terrain slump in the Percival Molson Stadium.

Saturday, 12 p.m. The countdown has begun for four men on the make for women. Massage studios, last minute shopping, bodybuilding; our men ardently throw themselves into the ritual of appearance. It is impossible to resist the ferociously burlesque and remarkably stereotypical behavior of these characters. We will meet Gérard known as The Bull, Patrice known as The Lion, Jean-Jacques known as The Peacock and Serge known as The Earthworm. All of this is set in the clubs and bars of late night Montréal.

After she had been raped by her father, a young woman leaves the town with her new born son. Years later, the son can't accept that his mother fell in love with someone else than the mythical father she had told him about.

The rather convoluted plot follows Santiago, a car thief and supposed electronic genius who works undercover for the police and is attempting to shut down an auto theft ring. Various crime organizations are involved, each plotting against each others. To complicate matters, several law enforcement branches are also competing against each others.

30-year-old Quebec City native Gisèle lives a quiet life as a secretary without happiness with her parents and siblings. One day, tired of being teased by her office mates, she decides to consult a marriage agency to find her soul mate.

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Jean. François. Xavier. Three names, three figures that personify the triple image of a being who lives before our eyes the stages of his evolution and his liberation from sex, woman and death. Freed from his constraints, he becomes himself and, in his eyes, the woman is no longer the provocative element of a certain guilt of which he carried the weight.