Ayelette Robinson

“The Office” is a mocumentary series based on the British show of the same name. Somewhere within the industrial area of Yahud is a grey, drab office, the failing branch of an office supply company heroically named “Paper-Office”. The branch is run by the show’s protagonist, Avi Meshulam, a 40-year-old loser, who’s overweight and has severe self-image issues that turn him into a liar, a suck-up, and a generally unbearable human being. He’s absolutely sure that he’s a wonderful standup comedian, who wound up in this boring, humiliating job purely by chance. Management is constantly trying to fire him, his employees despise him, yet he is ever the optimist, and he talks in catch phrases lifted from the most banal management books. He is surrounded by the range of characters that make up the impossible mosaic of Israeli society. Romance flourishes, schemes are hatched, lamination machines are sold on sale– and everybody tries to make it through yet another day with their unbearable boss.

An earthquake in the north uncovers a large hole in a nature reserve. Inside the hole, three human skeletons are found. The plot thickens when DNA tests reveal that the DNA belongs to three living people...

Salma Zidane, a widow, lives simply from her grove of lemon trees in the West Bank's occupied territory. The Israeli defence minister and his wife move next door, forcing the Secret Service to order the trees' removal for security. The stoic Salma seeks assistance from the Palestinian Authority, Israeli army, and a young attorney, Ziad Daud, who takes the case. In this allegory, does David stand a chance against Goliath?

Noam Stein is a closeted teenager in a religious community who discovers he might not be alone. When he finds a love letter written to his grandfather by another man before the Holocaust, he sets out to find this mysterious person and uncover both his grandfather's identity as well as his own.

A freelance computer hacker discovers a mysterious government computer program. He breaks into the program and is thrust into a revolution.

Sigal, a cynical high school teacher, bets that she can make the worst senior student pass an upcoming exam. When a personal connection is formed, Sigal begins to question her initial motives.

Basically, Kafka’s Metamorphosis is unfilmable. After all, the author didn’t want visual representations to appear of the insect Gregor Samsa turned into; readers should visualise that themselves.

After a successful debut, novelist Sam Lamont (Jeremy Koerner) struggles to meet a looming deadline for his next book. Frustrated and desperate for inspiration, he begins to follow a mysterious drifter (Bill Olson) that appears in town. But when bodies start piling up and Sam's new muse proves to be more than just a harmless transient, his sanity and career are put in jeopardy as he goes on the run. Taking refuge with his family far from the city, it soon becomes clear to Sam that his stalker may have a deeper motive for his erratic behavior in this terrifying psychological thriller.

When a couple miscarries, they grieve in very different ways that begin to pull them apart but given time, space and some understanding of post-traumatic growth, along with a continuous supply of peanut butter-filled donuts, they find their way back to each other.

Inspired by the standup acts of real life Chinese American comedian Edwin Li, a young man in San Francisco spirals downward into disappointment until he finds solace in a brief sexual encounter with an older woman to whom he may or may not be related.