Hank Garrett
Acting
Biography
As a child, Hank Garrett was glued to the radio and would imitate the voices he heard. His favorite show was “Can You Top This?” He would listen to the resident dialectician and master storyteller named Peter Donald to write down all the jokes he heard in a little book. He continued to regale family and friends with his budding comedy act. At the age of sixteen, he began a career working as a comedian in resort hotels. His first television acting job of major importance was Patrolman Ed Nicholsonon “Car 54, Where Are You?” He also provided a number of trick voices and dialects for radio commercials. Then he auditioned and got the job doing the voices for Fluffy and Fast Eddie on the animated “Here Comes Garfield” show. Soon after, Hank had the honor of providing the voice for the new G.I. Joe Communications Specialist: Dial-Tone on the “G.I. Joe: A Real American Hero” animated series. This popular character appeared in the “G.I. Joe: Arise, Serpentor, Arise" mini-series as well as more than twenty-four of the syndicated episodes. He also reprised his voice acting role for Dial-Tone on the animated "G.I. Joe: The Movie". Convention Attendees can meet the man behind-the-voice for autographs and perhaps even get their 2011 Convention Exclusive Dial-Tone signed!
Known For
Columbo is a friendly, verbose, disheveled-looking police detective who is consistently underestimated by his suspects. Despite his unprepossessing appearance and apparent absentmindedness, he shrewdly solves all of his cases and secures all evidence needed for indictment. His formidable eye for detail and meticulously dedicated approach often become clear to the killer only late in the storyline.
Columbo
The domestic adventures, misdeeds and everyday interactions of five families living on a cul-de-sac in a small California community.
Knots Landing
Michael Long, an undercover police officer, is shot while investigating a case and left for dead by his assailants. He is rescued by Wilton Knight, a wealthy, dying millionaire and inventor who arranges life-saving surgery, including a new face and a new identity--that of Michael Knight. Michael is then given a special computerized and indestructible car called the Knight Industries Two Thousand (nicknamed KITT), and a mission: apprehend criminals who are beyond the reach of the law. The series depicts Michael's exploits as he and KITT battle the forces of evil on behalf of the Foundation for Law and Government.
Knight Rider
After the death of his wife, Danny enlists his best friend and his brother-in-law to help raise his three daughters, D.J., Stephanie, and Michelle.
Full House
A.J. Simon is a polished fellow with a taste for classic cars and tailored suits. Rick Simon is his less refined (but still pleasant) older brother who has a taste for cowboy boots and four-wheel drive pickups. The two of them live in San Diego, where they own a private detective agency.
Simon & Simon
No description available.
The Merv Griffin Show
This 1980s revival of the classic sci-fi series features a similar style to the original anthology series. Each episode tells a tale (sometimes two or three) rooted in horror or suspense, often with a surprising twist at the end. Episodes usually feature elements of drama and comedy.
The Twilight Zone
As part of a deal with an intelligence agency to look for his missing brother, a renegade pilot goes on missions with an advanced battle helicopter.
Airwolf
Can you tell the difference between fact and fiction? Several stories of strange, mysterious and incredible occurrences are chronicled during each episode. It is up to the viewer to decide which stories actually happened and which were completely fabricated by the show’s writers. The answer is revealed by Jonathan Frakes at the conclusion of each episode.
Beyond Belief: Fact or Fiction
When two single girls, Janet and Chrissy, need a roommate to share their Santa Monica apartment, they decide to offer a room to Jack, a man they find passed out in the bathtub after the going-away party for their last roommate. However, hijinks ensure when Jack must pretend to be gay in order to throw off the scent of the trio's conservative landlady.
Three's Company
A bald, lollipop sucking police detective with a fiery righteous attitude battles crime in New York City.
Kojak
An elite team of soldiers thwart the evil Cobra organization's desire for world domination at every turn, cleverly stopping them from controlling the weather, creating unstoppable weapons, and genetically engineering super-warriors.
G.I. Joe: A Real American Hero
Crazy Like a Fox is an American television series set in San Francisco, California, that aired on CBS from December 30, 1984 to May 3, 1986.
Crazy like a Fox
Detective Matthew Sikes, a Los Angeles police officer reluctantly works with "Newcomer" alien George Francisco. Sikes also has an 'on again off again' flirtation with a female Newcomer, Cathy Frankel.
Alien Nation
When bookish CIA researcher Joe Turner finds all his co-workers dead, he, together with a woman he has kidnapped, must work together to outwit those responsible until he determines who he can really trust.
Three Days of the Condor
Paris is an American television series that appeared on the CBS television network from September 29, 1979 to January 15, 1980. A crime drama, the show is notable as the first-ever appearance of renowned actor James Earl Jones in a lead role on television and was created by Steven Bochco, who later achieved fame for Hill Street Blues and NYPD Blue, also served as executive producer. The program told the story of Los Angeles Police Captain Woody Paris, who supervised a team of young detectives. The rookie investigators were led by Sergeant Stacy Erickson and included officers Charlie Bogart, Ernesto Villas, and Willie Miller. Hank Garrett portrayed Deputy Chief Jerome Bench, Paris' superior, and, in an unusual turn for police dramas of that era, Paris' home and off-duty life was given considerable attention in the plots, with Lee Chamberlin playing his wife, Barbara. Paris was also shown moonlighting as a professor of criminology at a local university. Although Paris was critically acclaimed for its portrayal of the tension between the professional Paris character and his often impetuous underlings, CBS scheduled the show in one of the worst possible timeslots on a weekly schedule: Saturdays at 10 p.m./9 Central. All three networks debuted new shows for the 1979-80 season in that slot; only ABC's Hart to Hart survived its first 13 weeks. Toward the end of its run, CBS moved it to Tuesdays at 10/9, but to no avail. Edward DeBlasio produced the show for MTM Enterprises, which would unveil, during the next season, executive producer Bochco's landmark Hill Street Blues, on NBC.
Paris
Television networks battle one another in an unrelenting ratings war. Whoever controls the airwaves controls the dystopic world in which they broadcast. So when Network 23's star reporter, Edison Carter, uncovers a deadly secret that could shake up the station's dominion over its viewers, the only option is to eliminate Carter before he can make his story public. After Carter's "accident," his mind is uploaded to create the world's first self-aware, computer-generated TV host — Max Headroom! But will Max bow to his creators? Or will he be the key to his human alter ago bringing down a network superpower?
Max Headroom
Tough guy Thomas Beckett is a US Marine working in the Panamanian jungle. His job is to seek out rebels and remove them using his sniper skills. Beckett is notorious for losing his partners on such missions. This time he's accompanied by crack marksman Richard Miller.
Sniper
The misadventures of two of New York's finest in the 53rd precinct in the Bronx. Toody, the short, stocky and dim-witted one, either saves the day or messes things up, much to the chagrin of Muldoon, the tall, lanky and smart one.
Car 54, Where Are You?
New York cop Frank Serpico blows the whistle on the rampant corruption in the force only to have his comrades turn against him.