Acting
After years of keeping his detectives at the headquarters, the Montreal PD has decided to reassign them to neighbourhood precincts in an effort to get closer to the population. Nadine Legrand and Patrick Bissonnette have to find their footing in their new work place: District 31.
L'Amour avec un Grand A is a French-Canadian television series which aired from 1988 to 1995. The series explores different complex sexual and taboo issues. Some notable subjects include: Rape, Teen Obsession, Age Difference in love, Homosexuality and Married, Schizophrenia, Spousal Abuse. The series lasted 7 years and was very popular in Quebec. It was written by Janette Bertrand.
An elite soldier dies during a secret exercise, causing chaos at a military base. An honest officer investigates with a policewoman, uncovering a larger conspiracy despite resistance from his superior.
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Hubert is a good-looking guy and a well-known, talented tattoo artist. Love isn't one of his top priorities, and neither is family. And then there's Fanny, a hard-working, dedicated social worker who has trouble keeping her working life separate from her private life. Guillaume, her boyfriend of the last seven years, understands her and gives her his unconditional support. They're trying for their first baby. So nothing predestined Hubert and Fanny to meet. But during a hold-up, they experience the most intense emotions they've ever felt. During the time when they're fearing for their lives, they rely on each other to survive. After the event, an irresistible desire to see each other again compels them to wonder whether spending a few hours together is really enough to change the course of their lives.
After investigating the Gilbert Rozon affair together in October 2017 in the wake of the #MeToo movement, journalists Émilie Perreault and Monic Néron are teaming up to sign this hotly current documentary that examines the failures of the justice system in matters of sexual assault.
A woman attempts to resume her place in the family that she abandoned years earlier.
Un homme seul. Une femme seule. Lui, à l'aide de son ordinateur, voudrait désormais pouvoir gérer ses relations amoureuses; elle, de son côté, désire continuer à mener une vie autonome. Philippe et Hélène vivent donc dans une bulle, en solitaires, soignant les blessures d'une relation précédente, jusqu'au jour où ils se rencontrent. C'est le coup de foudre! Mais ils ont si peu en commun, sinon la peur de se faire mal, de décevoir et d'être déçus, de se tromper à nouveau... A single man. A single woman. Him, only wanting to interact with romantic relationships through his computer screen. Her, wanting to have an autonomous life. Phillipe and Hélène live their lives in a solitary bubble, healing their wounds from a previous relationship, until they meet. It's love at first sight! but they have so little in common, except the fear of being hurt, of dissapointing or be dissapointed, of being wrong again...
A TV film staging of Michel Tremblay's play "Sainte Carmen de la Main" by André Brassard.
A director and an editor, both women, cannot work on a movie presenting the rape of a nurse without reacting on the scenes they're working on, the situation of womanhood in general, and the way the 'Justice' handle those cases of rape.
Four young women are participating on Idole Instantanée, a reality show produced by Omni Global, in which a complete stranger turns into a music star in just 24 hours.
Friendship between two old men becomes love. Slightly-unkempt, tired, and frail, Philippe Lanctot moves into a rest home. The administrator says she wants him to be happy, but that seems far from his mind: he's waiting to die. Then, into his room, unannounced, rolls the voluble Victor Laprade, who draws out Philippe over the next few months. Victor gives Philippe the gift of experiencing the moment. In return, the well-heeled Philippe organises field trips to dinner and to a botanical garden, and, unknown to Victor, becomes the man's benefactor when Victor's children get stingy. The openly-gay Victor also pushes Philippe to acknowledge feelings he's always kept suppressed.
Les Grands Enfants does not tell a story in the traditional sense. Instead, it offers an honest image of people's dreams of change : people often unemployed, dissatisfied in some way with their work, or caught up in complicated social relationships. The film is set in Montreal.
