Trần Thị Bích Ngọc

Cynical British journalist Fowler falls in love with a young Vietnamese woman but is dismayed when a naïve U.S. official also begins vying for her attention. In retaliation, Fowler informs the communists that the American is selling arms to their enemy.

Though only 14 years old, May is selected to be the third wife of a wealthy landowner. Her new home seems idyllic, her husband favours her, and she quickly becomes pregnant with what she is certain will be the desired male progeny. But trouble is quietly brewing: she witnesses a forbidden tryst that will spark a chain reaction of misfortunes — and stir in May urges that until now had been dormant.

Hanoi comes across almost picture-perfect in director Tran Anh Hung's beautiful, elegiac tale about the lives and loves of three Vietnamese sisters. A mood characteristic of Hung's films is set early on with the vivid sounds of birds, insects and water and the way the lighting enhances the subtle use of color. They all combine to gem-like effect here.

Two young LGBTQ+ lovers in 1990s Saigon get entangled in the criminal underground and must do battle with dark forces that threaten their relationship and test the limits of their humanity.

Stories told along the river: a woman reunites with her ex-lover at a hydroelectric plant; meanwhile, a young man travels downstream to a temple in search of a cure for his insomnia.

The Porcelain series takes its starting point in actual historic events surrounding a shipment of porcelain from Asia to Europe in the 17th century. On the morning of Christmas 1601 the San Jago set sail from Goa bound for Lisbon. The cargo included the first consignment of South East Asian porcelain destined for the European market. On 14 March 1602, off the coast of St. Helena, the San Jago unexpectedly encountered three Dutch ships and a fierce battle followed. After three days of fighting the Portuguese surrendered and the Dutch took possession of the San Jago. This historic event formed the basis for a three-part television series called "Porcelain" filmed in Vietnam and broadcasted on Vietnamese television in March 2010.

Mây, a fourteen year-old girl is being married as the third wife to a rich landowner in the late 19th century Northern Vietnam. A black & white reworking of 'The Third Wife' with no dialogue and a newly composed score.

Tam, a diligent wedding venue staffer, discovers her husband’s affair on live TV. Rather than confronting him, she enlists a powerful spell master to win back his love. Tam’s daughter, Ha, pours her frustration into vivid fantasies of a brighter future abroad. Meanwhile, a mysterious House Spirit, visible only to the women, lurks beneath their cracked, leaky ceiling.

Văn comes back to Ho Chi Minh City from the US with his boyfriend Ian to visit his mother. Being the male heir of the family, everyone expects him to take a wife soon. And to top it all, his grandmother, who has Alzheimer, mistakes Ian for her grandson.

Set in the poor Mekong Delta coastal village of Thơm Rơm, the film follows the lives of three women, whose love lives are unusual and unique to their nature. The film is narrated from Hau's perspective, as she experiences life with a husband who only has eyes for another woman, and develops her growing friendship with her rival.

A woman tries to cling onto dimming links to her past after inheriting a pygmy slow loris from her long-estranged husband; meanwhile, her niece prepares for marriage as the young couple ponders their gloomy future together. The present and the complex echoes of Vietnamese history are entwined before a contemplative and poetic perspective.

Linh, the recipient of a heart transplant, begins having nightmares and visions leading to a house in the remote countryside. She begins to believe that the previous owner of the heart, a former resident of the house, wants her to uncover the secrets of her death.