Fabio Traversa

The trials and triumphs of one of the wealthiest and unhappiest families of the United States, the Gettys. Originally planned to be told over multiple seasons and spanning the twentieth century, the series begins in 1973 with the kidnapping of John Paul Getty III, an heir to the Getty oil fortune, by the Italian mafia in Rome.

Six people struggling with their relationship, or lack thereof, cross paths with their respective exes — and discover they might still harbor feelings for each other.

Two silent movie actors escape from their film. Forced to find a way to survive in the real world, they will only cause troubles to the people they will meet along the way.

A small town has its placid waters rocked when a 120-piece orchestra is slated to visit on a regular basis to offer special concerts to the community and its environs. The honor of conducting the orchestra seems like it will fall to Francesco (Michele Placido), the community's most well-established music teacher, and to insure his success, his ambitious wife starts sleeping with one of the organizers of the future concerts. Meanwhile, a disgruntled member of the organizing committee decides to muddy the waters by suggesting that another conductor (Andrea, a friend of Francesco's) be hired. Andrea is also a native son who went to the big city to find conducting work but ended up doing television jobs instead. When he receives the call about the prestigious job opportunity, he enthusiastically goes to the town but his wife refuses to join him.

American novelist David Raybourne accidentally becomes entangled in the Red Brigade's terrorist plan to kidnap Italian Premier Aldo Moro during a research trip to Rome. As the terrorists attempt to kill David, he and his photojournalist friend must struggle to stay alive.

An old film director, unhappy with the movie he's shooting about a Hungarian circus stranded in Rome during the 1956 anti-Soviet uprising, faces divorce from his producer wife and other problems.

A group of former high school classmates meets for a reunion 15 years after graduation, only to discover that any innocence or friendship is long lost.

Four friends, former 1968 student protesters who have checked out of politics and struggle to come to terms with the present, try self-criticism to figure out what to do with themselves, only to end up doing what they do best: sinking into endless talk without ever reaching a conclusion.

The Roman Catholic Pope is planning a reconciliatory meeting with the head of the Ukrainian Orthodox Church, an event awaited for many generations. But suddenly, right while the Pope is addressing the crowds gathered in the Piazza Navone, a nun is assassinated by a Ukrainian, placing the upcoming talks between the two leaders in jeopardy. And the head of the American diplomatic corps (the nun was an American) assigns the investigation of the killing to one of his underlings, which leads the young man to investigate the Russicum, a center for the study of Russia within the Vatican city. And from there he finds himself caught up in an intrigue of international proportions, filled with agents and double agents, and ending with a revelation most unexpected.

Michele is an MP for the Italian Communist Party who loses his memory in a car crash, though hardly anyone around him seems to notice. During a crucial water polo match on the eve of election day, he gradually begins to remember his past life, revealing a man whose personal and political identity crisis mirrors that of Italian communism itself.

Three young friends – aspiring film director Roberto, aspiring producer Ben and aspiring comedian Cico – move to Rome looking for a career in a film industry that they discover being well past its heyday.

Young Stefano falls in love with a Spanish girl, Habibi. The two become engaged, but after a happy period, Stefano will discover the girl's betrayals. This will lead the protagonists to drift apart and seek new paths; this will be an opportunity for them to reflect on themselves and the loss of values in life.

Two homeless men in Rome are arrested due to a misunderstanding. In jail, they meet a man who has been arrested for eating and running from restaurants. Together they embark on a series of escapades around Tuscany.

Seven people in a therapy group are forced to find new ways of coping with their problems when their therapist dies in the middle of a session.

In this painful melodrama, an aging mother (Claudia Cardinale) attempts to cope with the progressive deterioration of her grown son due to his drug addiction. At first only manipulative, in addition to stealing from her he eventually becomes abusive and violent, and she must take strong measures if she is to save her own life, much less his.

No description available.

No description available.

Ugo Fantozzi has been ejected from Heaven and is sent back to Earth for a short period of time until the staff in Heaven can get Fantozzi a place there. Fantozzi goes through a variety of unfortunate experiences, such as rescuing his retro punk granddaughter Uga, and having to pay a vast telephone bill due to frequent chat line conversations. He ends up getting arrested instead of his ex-boss, who was originally charged with corruption. Just as he is about to enjoy the World Cup Final with Italy, he is called back into Heaven. Can he find peace once again?

The world out there is halted by a pandemic, and during lockdown, an apartment in Rome becomes the same as one in Milan, Naples, Paris, and New York. Each one lives a story identical to all the others, yet unique and personal. Four young people under thirty have been sharing an apartment for some time and, stopped by the infection, find themselves facing shadows bigger than living there. The opportunity to make some easy money at the expense of their shady landlord will lead to a crescendo of tension and delirium. The young people's choices and actions will become increasingly ambiguous as the consequences upend their dreams and hopes, fears and loves, until the unexpected ending.

A parody of Manzoni's canonical 19th-century novel "I promessi sposi" (The Bethroded) from the point of view of the villain Don Rodrigo, who, however, in this upended version of the story is the victim rather than the perpretator of the violence.