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Radu Muntean

Radu Muntean

Directing

Biography

From Wikipedia, the free encyclopedia. Radu Muntean (born 8 June 1971, in Bucharest) is a Romanian film director and screenwriter. He is a central figure of the Romanian New Wave. Radu graduated from the Theater and Film Academy in Bucharest in 1994, where he directed three short films. Since 1996, he has directed over 400 commercials and has won over 40 national and international awards in various advertising festivals. His feature debut, Furia (English: The Rage), was awarded Best First Film by The Romanian Filmmakers Union, and Best Photography at the 2003 Transilvania International Film Festival. His second feature, The Paper Will Be Blue, as well as Boogie are representative of the Romanian New Wave. Description above from the Wikipedia article Radu Muntean, licensed under CC-BY-SA, full list of contributors on Wikipedia.​

Known For

The Paper Will Be Blue
7.4

Out of enthusiasm, a Militia soldier abandons his platoon and decides to fight for the cause of the Revolution. His Lieutenant and the rest of the crew look for him during the confused night of 22-23 December 1989.

The Paper Will Be Blue

2006
Tuesday, After Christmas
6.3

Paul Hanganu loves two women. Adriana his wife and the mother of their daughter, the woman with whom he's shared the thrills of the past ten years, and Raluca the woman who has made him redefine himself. He has to leave one of them before Christmas.

Tuesday, After Christmas

2010
Întregalde
6.1

The suspense story follows three humanitarians whose mission in a remote village called Întregalde, in the Apuseni Mountains, in a remote area of Transylvania to offer the inhabitants various goods. Apart from a few quarrels and conflicts between the group members, everything seems to be going well for Maria and Dan. But soon after they stumble upon a disoriented local and try to help him, things go wrong.

Întregalde

2021
Alice T.
6.0

Alice, a buoyant and impertinent red-hair teenager is far from the charming little girl her mother adopted as she was unable to have a child of her own. Being an endless source of problems and affected by the specter of her mother’s disappointments, Alice acts with her back against the wall, forging lies and blurring lines between the fiction she designs for herself and the reality of her existence. Until her mother discovers she is pregnant.

Alice T.

2019
Cinemaguerilla
N/A

A documentary about the New Romanian Cinema. "Cinemaguerilla" brings together over 30 interviews with directors, producers, actors, film historians and critics about what unites and what separates the New Wave of Romanian films.

Cinemaguerilla

2009
Boogie
5.9

On his spring break at the seaside, with his wife and his four year old son, Bogdan Ciocazanu runs into his best friends from high-school at the precise date and time that reminds all of them of their most glorious drinking trips and sexual escapades of their younger days. Frustrated that, between his job and his family, time is no longer his to manage and play with, Boogie now takes his shock dosage of freedom and spends a night to tick off all the items on the map of his youth (drinking, games, flirting, prostitutes). In the morning, after the disillusionment of the remake he experiences with his former friends, he returns to his wife.

Boogie

2008
One Floor Below
6.3

After being the sole unfortunate witness to a domestic quarrel that ends up in murder, Patrascu finds himself at odds with two very close neighbors: one is the bizarre murderer. The other is his very own conscience.

One Floor Below

2015
Visiting Room
6.4

The Romanian penitentiary system allows, from 2006, the marriage of people sentenced to serve time in prison. Most of the inmates cultivate the pre-existing relationships with the concubines or partners who live outside the prison walls. Though, there is a special category, of those who find a life partner during their time in prison. VISITING ROOM follows the stories of some prisoners found in different penitentiaries across the country, who have found their life partner during their sentence time. The one is either a person from outside, or as them, a person who is serving time in prison. Our intention was to talk to the people found in the special situation of being deprived of freedom, to whom love becomes a substitute for freedom and represents maybe their only hope for a better future.

Visiting Room

2011
The Rage
6.7

In a city full of "manele", drugs and illegal car races you don't survive unless you know how to pay. Sometimes with other's lives. Young people today are trying to adapt to a world without consciousness, a world of money, unscrupulous businesses. A film-adrenaline with accents of black humor, irony at the society which is run by large rubble and where life is just a currency.

The Rage

2002
Life is Elsewhere
N/A

Time passes slowly in a monastery where several generations of nuns live together. Although isolated, the echoes and the temptations of the madding crowd outside the convent’s walls nevertheless reach them.

Life is Elsewhere

1995
The Broadcaster
N/A

When freedom deprivation, dictatorship, censorship and poverty are normal things in Romania during Communism times, the life of the most famous TV director in the Romanian Television becomes a challenge.

The Broadcaster

2023
Marea aventură
N/A

In the absence of other housing options, a teenage couple tries to find a secluded corner in the common spaces of a block of flats where they can indulge their passion.

Marea aventură

1994
Index
6.0

Deep in an uncharted forest, an isolated ornithologist discovers a wild child captured in a grainy video, recorded by one of the infrared cameras he had hidden among the trees.

Index

2025
Un film de platou
N/A

A document of the early years after the Revolution, when pornography was experiencing a significant boom in the Romanian film industry, "A Film on Set" depicts a young couple who decide to star in such a production.

Un film de platou

1993
Lindenfeld 1994
5.3

Founded by German ethnics, Lindenfeld has been a prosperous settlement. Today, there are only three inhabitants left with their hates and hopes.

Lindenfeld 1994

1994