Aliona van der Horst

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15 attempts to make a film, to misunderstand an artist or to look at the world without preconceptions.

As a film about fertility, Water Children is an ode to womanhood and the body Filmmaker Aliona van der Horst followed the trail of the unconventional Dutch-Japanese pianist and artist Tomoko Mukaiyama who made a huge work of art on the theme of womanhood and fertility. She created a cathedral-like space out of twelve thousand white silk dresses in which visitors, as in a ritual, roamed around and fell silent. And where people confessed intimate details about children who were or were not born, about sexuality and life-choices. This resulted in a majestic epic about motherhood, miscarriages and menopause. In a visual and poetic way, the film penetrates into what is probably still one of the greatest of taboos, menstruation, and, as a consequence, touches upon universal themes around life and death.

Two Dutch filmmakers travel to the Iranian city of Bam to chronicle the aftermath of a December 2006 earthquake that claimed 43,000 lives and left 60,000 homeless. Survivors reflect on the catastrophe in voice-over narration that's accompanied by images of a wrecked metropolis fighting to pull itself back together. The gripping documentary received its North American premiere at the 2006 Tribeca Film Festival.

Gerlach van Beinum is one of the last old-school crop farmers near Amsterdam. Surrounded by the advancing exponents of modernity—distribution centers, highways, multinationals—he moves through the seasons at his own pace. We follow him for several years in his fields on the outskirts of Amsterdam. With the help of his best friend Rinus, he grows potatoes, beetroot, grain, and strawberries, which he sells from his barn. In between these activities, his farmhouse proves to be a gathering spot for neighbors and friends, who share with him their dry wit and simple joy.

Documentary about the abuse of psychiatry for political purposes in the former Soviet Union. Hanna Michailenko, an Ukrainian schoolteacher from Odessa was locked up in a psychiatric ward from 1980 until 1988 for refusing to work for the Soviet Secret Service, the KGB.

The incredible life story of a Soviet soldier of Tatar descent who was captured by the Nazis during WWII. Today, his daughter Sana is tracing the path of her silent father, trying to understand what made him the man she knew as a child, through his diaries, as well as various personal and public archives and registries. As she accompanies Sana in her journey, filmmaker Aliona van der Horst excavates film archives, to find traces of those millions of Soviet soldiers who were caught in the crossfire of fighting between dictators, who were there but were easily left out of the narrative of the global war.

One day, Dutch film maker van der Horst was given her inheritance: 6 square meters, one sixth of a small, wooden house in the Russian countryside where her mother grew up. It was as if life had handed her a card she felt forced to play. She began a journey into the past, back into the childhood of her Russian mother and her five sisters, all of whom struggled with fear, famine and war in Stalin’s Russia; experiences that left them scarred to their very soul. Aliona’s quest into the lives and fate of her family becomes a loving, poignant, and poetic film with Chekhovian characters. Accompanied by the magical animation of acclaimed Italian artist Simone Massi, unimaginable events in the Soviet past are given an immediate charge. Along with the stories of ordinary people living in the small farmhouse, the film maker tells the tale of Soviet terror, immense bravery and a fear that has never left those four walls.

Teenager Kristopher feels relieved about his coming-out, which as yet seems to bring him more advantages than disadvantages.

Russian Poet Boris Ryzhy was handsome, talented and famous. So why did he end his own life at the age of 26? A quest to find the answer takes the filmmaker to the notorious neighbourhood in the cold industrial city of Yekaterinenburg where Boris grew up...

HERMITAGE-NIKS--the five-part, in-depth series version of THE HERMITAGE DWELLERS-- is not necessarily about the art that resides in the world renowned museum, but about the people who work in the Hermitage. These "Hermitage-Niks" all have their own very personal reasons for considering the palace of Catharine the Great their "home." For them, it is a safe haven that quite literally has managed to keep the tumultuous Russian 20th century history outside its walls: from the Revolution, the terror of Stalin, WWII, the harsh post-Soviet years - all these events have left their mark on the museum. What starts out as a playful kaleidoscope of people and events in the museum gradually unfolds into a poignant account of how the dwellers' pain is transformed by their intimate relationship with a piece of art.

As much about the people who work in Russia's renowned museum as it is about the glorious art works housed in this St. Petersburg institution. We meet with several "Hermitage-niks"—including Olga Bogdanova, the head of museum maintenance, icon curator Alexandra Kostsova, museum attendant Valentina Barbashova, and art handler Vadim Kuptsov, among others—each of whom explains their own very personal reasons for considering the palace of Catherine the Great their "home."

The incredible friendship between Semyon Gluzman, a psychiatrist and former dissident, and General Volodymyr Prystayko, the deputy director of the Ukrainian Security Service, who was in charge of keeping Gluzman's files in the KGB archives.

Film about falling in love across a political, cultural and geographic divide. It tells of Simon, a Dutch communist student in Moscow, who meets and marries the Russian Zoya in the spring of 1968. Simon returns to the Netherlands, expecting his wife to follow shortly afterwards when her exit visa is granted. Her application however is refused over and over again. Months pass and then years. A child is born to Zoya in Moscow: director Aliona van der Horst relates her parents' struggle in this tender account of family history caught up in international politics. In the numerous love-letters he wrote to his beloved Zoya feelings of helplessness are expressed: 'Our happiness depends on how the political wind blows'. Van der Horst uses these letters as a guideline through the film. To tell her parents' story, Van der Horst weaves together archival footage, home movies and photographs with contemporary interviews.

A short, almost wordless portrait of artist Folkert de Jong.

Four people,in their struggle to improve the world during Occupy Amsterdam. The downfall of the encampment is part of their search for ways to bring about change. But why don't we want to hear their message?