Pedro Damián

A group of young adults will spend their adolescence at the Elite Way School, where they will learn about love, life and live their passion for music.

Natalie, a poor but beautiful girl from a humble neighborhood, falls in love with and wins the heart of Victor Afonso—her childhood friend and the son of the city's wealthiest family. Natalie lives with a cruel old woman who forces her to beg to support her, yet also foresees through fortune-telling cards that "The Beast"—as Natalie is known—will one day find happiness and wealth. Believing this fortune is linked to "The Greek," a wealthy man in love with Natalie, the old woman sells her to him—unaware that Natalie and Victor Afonso had secretly married before he left the country for his studies. When the young man's parents discover the truth, they annul the marriage, indifferent to the fact that "The Beast" is pregnant with his child. Supported by her friend—a cabaret performer known as "La Costeña"—and by The Greek himself, Natalie turns her life around and gives birth to twins; however, she has no idea that The Greek intends to exact a price for all his generosity.

Principessa is a Mexican telenovela produced by Valentín Pimstein for Televisa in 1984.

Lola... Érase Una Vez is a teen targeted Mexican melodrama telenovela produced by Televisa that is an adaptation of the Argentine global phenomenon and teenage telenovela Floricienta. The show tells the story of a modern Cinderella, Lola, a 20 year old girl, who works as a nanny and sings in a rock band and meets her so call Prince Charming. It debuted in Mexico on February 26, 2007, starring Aarón Díaz and Eiza González. The show had gained popularity among teens and children not only in Mexico but also internationally including Venezuela, Spain and the in United States. With concert performances filling major auditoriums and songs by the protagonist become radio hits. It debuted in the United States on Univision in March 2008 and ended on January 26, 2009. The series consisted of 224 episodes which aried Monday through Friday at 3 P.M, intentionally for teenagers to watch after school, as is typical for most teenage & children telenovelas in Spanish networks.

The realistic chronicles of a working class group of Hispanic youth, with heavy subject matter like sex, drug dealing, teen pregnancy, abuse, drinking, rape, deception, and heartbreak.

Maricruz and Beatriz are school friends; Beatriz comes from a well-to-do family, whereas Maricruz belongs to a lower socioeconomic stratum. Both are on the verge of turning fifteen and are preparing to leave childhood behind. Issues within their family and social environments affect them directly; for Beatriz, her parents' marital breakdown becomes the primary obstacle to overcome, compounded by a sexual awakening fraught with taboos and misinformation. Meanwhile, Maricruz must contend with her mother's overprotectiveness and prejudices, as well as the tension caused by a neighbor who is obsessed with her.

Eight short stories of seduction and illicit encounters between lovers, filled with humor and eroticism, which use a circular structure located in the cosmopolitan atmosphere of a colonial city of Mexico.

The story of fifteen-year-old Jovana Luna and the obstacles she will have to overcome in her fight to find happiness with the handsome León Baldomero, the love of her life.

Destiny brings two youngsters together in the middle of a flower show whose love story begins as soon as they meet. Maia and Pablo come from different social classes: Maia is Othón’s daughter, one of the most important entrepreneurs in the flower growing industry, while Pablo belongs to the bodyguard squad escorting Antonia, Othón’s biggest opponent… two people holding a lot of grudge. Antonia and Othón met at a young age and they don’t miss any chance to hurt each other, so when the confusing encounter between Maia and Pablo takes place, Antonia uses that ‘holy gift’ to fool the girl by telling her Pablo is one of the most important flower-growers in the country... a lie that is not intended to hurt Maia, to whom is irrelevant whether Pablo has money or not, but Othón instead, a nouveau riche with no class who wants his daughter to marry a wealthy man and would be ov

The story follows Isabel—known as "Chispita"—who was separated from her mother after the latter lost her memory in an accident. After growing up in an orphanage, Isabel is adopted by a widowed businessman, Don Alejandro; he hopes she will bring joy to the life of his daughter, Lili, who has become sad and ill-tempered since her mother's death—largely due to the influence of her teacher, the wicked Miss Irene. However, contrary to Alejandro's expectations, Isabel is not welcomed by his daughter; instead, she must contend with the malicious traps set for her by Lili and Miss Irene. Yet, Isabel also finds friends in the household, such as Juan Carlos (Lili’s older brother) and Gloria (the family’s maid). From her new home, Chispita begins the search for her mother.

Niña de mi Corazón is a teen Mexican telenovela produced by Televisa and Telefe adapted from Pedro Damian's 1997 Mi Pequeña Traviesa, that premiered on March 8, 2010 and ended on July 9, 2010. Damian was also the producer of this telenovela.

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Firefighter Gordon Brewer is plunged into the complex and dangerous world of international terrorism after he loses his wife and child in a bombing credited to Claudio 'The Wolf' Perrini.

Miss XV follows the story of two teenage best friends, Valentina and Natalia, (who were born on the same day at the same hour), who dream of the perfect quinceañera birthday party, and long to become the girlfriends of their respective crushes, Niko and Eddy.

The experiences of a group of young people interned at the Life Institute of Knowledge and Evolution (LIKE), a prestigious and cosmopolitan educational institution, with a supposedly modern and open educational system, but in reality it is deeply traditional and schematic.

Muchacha italiana viene a casarse is a 1971 Mexican telenovela by Televisa produced by Ernesto Alonso and directed by Alfredo Saldaña, starring Angélica María and Ricardo Blume. Writing credits belong to Delia González Marquez, Fernanda Villeli, Marissa Garrido, Miguel Sabido and Carlos Lozano Dana The series featured two theme songs: "A dónde va nuestro amor" and "Lo que sabemos del amor". Both songs were written by Eduardo Magallanes and performed by Angélica María.

Ángeles sin paraíso is a Mexican children's telenovela produced by Pedro Damián for Televisa and originally broadcast on Canal de las Estrellas from November 9, 1992, to January 29, 1993. Created by Lorena Salazar and Eduardo Quiroga, the telenovela stars Anahí and Felipe Colombo as the child protagonists and is remembered as one of Televisa's early children's telenovelas. The story follows siblings Claudia and Andrés, who are separated from their mother and forced to live under the care of their cruel aunt, Aurora Sombría. Trapped in an isolated mansion where they endure abuse and fear, the children find hope through the kindness of those around them and set out on a journey to reunite with their mother while uncovering the truth behind Aurora's crimes.

Mi Pequeña Traviesa is a Mexican youth and family telenovela produced and directed by Pedro Damián for Televisa and originally broadcast on Canal de las Estrellas from December 8, 1997, to April 24, 1998. It is an adaptation of the Argentine telenovela Me llaman Gorrión, created by Abel Santa Cruz. The telenovela stars Michelle Vieth and Héctor Soberón. The story follows Julia González, a young woman whose dreams of pursuing a professional career are interrupted after her father is left paralyzed in an accident. To support her family, she disguises herself as a boy in order to find work. Along the way, she falls in love with Alberto Miranda, and together they must overcome social differences, family conflicts, and the many obstacles that stand in the way of their happiness.

Mujeres Asesinas is a series that shows the dark side of women who have been mistreated or abused and become cruel murderers. The series shows how violence and death can overcome the feminine mind.

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