David Benger

Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.

It’s just another ordinary day in 1930s Los Angeles for private investigator Clyde Umney, until a new client walks into his office. Umney soon learns that his client is the crime-fiction writer who not only created him, but now needs to switch places with him.

The lives of a Hassidic young man (Yoyli) and a Polish young woman (Mariola) intersect when they find themselves secluded in a car after he offers her a ride home. This, after Yoyli and his mother picked her up from a street corner in Williamsburg, Brooklyn, where Polish, immigrant women wait to be taken to Hassidic homes to help with the cleaning of their house. In the movie they negotiate the labor at $8 an hour. After scrubbing and scouring for a bit, and after observing a world that is completely foreign to her, Mariola succumbs to the toxic fumes of the cleaning agents and falls and faints. After regaining consciousness, she leaves the house in an angry huff. At the prodding of his sister and father, Yoyli goes out to find her and offer her a ride. She accepts not realizing the differences of their worlds that would place the two young people in a tense and heated situation that is never fully resolved.

Alien Weaponry are a thrash metal band which often sings in te reo Māori. This Vice documentary meets them as they prepare to tour Europe, and take the metal world by storm. The quiet lives of the members — Lewis de Jong and Ethan Trembath attend different high schools, while Henry de Jong is an apprentice mechanic — are contrasted with a high intensity performance (at the Auckland release show for the band's debut album Tū). The de Jong parents share stories about their two sons, and the band travel to Lake Rotoiti, to reconnect with their whakapapa.