Hamed Rajabi

Golsa is a 16-year-old girl living with her family in a small town near Tehran. She spends most of her time hanging out with a group of friends. One day the group decide on a course of action the consequences of which will have unexpected results and turn their little bit of fun into something far more complicated.

Nahal is around thirty and in her fourth month of pregnancy. During a routine check-up she learns that her baby has died and she now faces a curettage abortion in two days’ time. When she tries to address the subject, neither her mother nor her husband give her a chance to speak.

Parviz has as its increasingly horrifying anti-hero the 50-year-old hulk of a passive-aggressive bachelor son (theater director/activist Haftvan), whose free ride in life screeches to a halt when his miserly widowed father forms a plan to remarry.

A young man and his father live together in the same apartment. Against his son's wishes, the father brings home sex workers. One day he brings home a young woman who not only does not respond to his advances, but also refuses to leave. Both father and son unite in trying to make her depart. However, when she does finally leave, but of her own free will, her absence becomes unbearable for the two men.

Sina, a sixteen years old teenager from today's Tehranian middle class, experiences a new life on the verge of his parents' divorce. Added to his very real sense of having been abandoned is the threat of a local thug who believes that Sina owes him a considerable sum of money. Things become even more complicated when Sina, taking advantage of his parents' constant absence, allows an older girl, Nahid, to temporarily move in with him. Sina finds himself with the prospect of making choices that threaten his body and soul.