Klemens Hufnagl

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

A murderous, flesh-eating undead young girl haunting the remote stretch of woods where she was murdered decades earlier, discovers a kidnapped and abused boy hiding in the trunk of one of her victim’s cars. Her decision to let the boy live throws her aggressively solitary existence into upheaval, and ultimately forces her to re-examine just how much of her humanity her murderer was able to destroy.

Bobby drives back and forth between Vienna and Salzburg, giving lifts to strangers on the way, sharing conversations that drift from the mundane to the deeply personal. In this tender portrait of today’s Europe, anonymity and warmth still go hand in hand.

Sarah, a former professional kickboxer from Vienna, accepts an offer to work as a personal trainer for a rich family in the Middle East. She finds herself in a foreign world, in a palace behind walls and cut off from the internet, where the sisters are under surveillance around the clock. They have no interest in learning to box. So why has Sarah been brought here?

First barns burn, then an old house burns. A fire brigade goes around. A corpse burned beyond recognition is found in the old house. Intention or amazing coincidence? Franzi Heilmayr and Martin Merana believe in coincidence - until the evidence suddenly points in a completely different direction. And deadly danger still emanates from there.

Astrid, Elli and Isabella go camping together as they used to. However, not only because Elli has breast cancer, nothing is like it used to be. Only when Astrid steals the savings of a man who has died in an accident the three leave old habits to renew their friendship in Italy.

Close to paying off her debts, a Nigerian sex worker in Austria coaches a reluctant novice, and assesses the risks of taking a faster path to freedom.

To escape mounting tensions at the advertising agency they co-own, French-German couple Nina and Jan whisk their kids, Max and Emma, away to their seaside vacation home. The couple has signed a new politically charged client, forcing them to confront their clashing priorities. But what’s meant to be an idyllic off-season retreat turns sinister when burglars tear through the house, unseen by anyone except Nina. Though at first the aftermath brings the family closer, it’s short-lived once Max reveals he glimpsed his father hiding during the break-in. As the police investigate and the evidence doesn’t add up, the account of what took place begins to unravel alongside the couple’s faith in each other.

The body of a teenage girl is found at the foot of a waterfall, a heart-shaped stone in her hand. The investigation leads the police on the trail of a local legend.

The investigation of an escort girl found dead in a luxury hotel leads the detectives on a dangerous trail, flustering the local authorities of the wealthy town.

Soft boys by day, kings by night. The film follows a group of young Bulgarian Roma who come to Vienna looking for freedom and a quick buck. They sell their bodies as if that's all they had. What comforts them, so far from home, is the feeling of being together. But the nights are long and unpredictable.

A lonely young monster with deadly black eyes encounters a kidnapped and abused young boy whose eyes have been sewn shut.

The expectations of Elias are high. He is not only an excellent student, but also the son of the richest farmer in the Zillertal. Soon he will take over the farm. But the more desperately he tries to fulfill his intended role, the more he feels that he really wants to live a completely different life.

Communal property, free sexuality, dissolution of the nuclear family - these were the basic principles of the Friedrichshof, the largest commune in Europe founded by the Viennese Actionist Otto Muehl in the 1970's. Because of these principles Paul-Julien Robert, who was born into this commune, for a long time didn't know who was his biological father.

A personal film about grief and farewell, about serenity and arrival as well as reunion and retrieval.

A drama centered on an 11-year-old Chechnyan refugee living in Vienna whose life is thrown into disarray when a friend of his deceased father materializes.

Juana, a young Bolivian woman, gets a job in a sewing workshop in Buenos Aires. In exchange, she has to leave her husband and son behind in Bolivia. Upon arriving in Buenos Aires, she discovers that the promised workshop is a prison where work is carried out under inhumane conditions. When Juana receives news from home, she tries to escape by any means possible.

Beate is an ambitious executive working at Europa, a mysterious corporation looking to expand into the Balkans region. Seemingly promoting philanthropy and investment in underdeveloped areas, Europa actually needs to buy off lands from locals in a remote valley in Southern Albania using Beate as the main negotiator for the ambiguous mission. But things don’t go as planned when she is challenged by Jetnor, a stubborn and spiritual farmer who refuses to leave the land of his ancestors.

In a remote, abandoned industrial site near a centuries-old ore mine in the Austrian Alps, a self-taught mechanic runs a business exporting used cars to his native Nigeria. As he pursues his lonely day-to-day activities with wondrous serenity, past, present and future begin to overlap, and memories of a lost friendship resurface against the backdrop of a mysterious promise of everlasting resources.

How can cinema engage with complicity in crimes against humanity, extreme violence and state terror without conniving in it? De Facto finds answers to this question via two actors, a precisely compiled collage of texts and a deliberately reduced setting.