Simon Morris

Over the course of one night, Sarah meets the handsome, captivating and smooth talking Lewis, who aims to be the bait in a sick sexual trap set up by himself and his low-life, rich kid housemate Kenneth. When their ruse backfires, Lewis and Sarah are forced into an unlikely alliance with deadly consequences.

Delves into a forgotten vault of Australian government films, unearthing a kaleidoscopic vision of Australia in the 1970s, a decade of political and social change.

In the middle of a crowded city the paths of two strangers, a man and a woman, collide. This accidental, chance occurrence sets in motion a chain of events that sees the two strangers embark on a night of adventure and connection that challenges their separate lives.

Who are we? And where do we come from? Australia's greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out.

The story of how Australia ended up with a larrikin in the Lodge, and what he brought to the top job.

A big hearted community celebrates life by fronting up to death. Set against the stunning backdrop of the industrial seaside town of Port Kembla, a feisty and resilient community group have determined to take back the responsibility that most of us leave to someone else — to care for their own dead. Scattered throughout are stories that cut to the core revealing why this small band have decided to take on a practice that for most is taboo. As their plans for community-based funerals gather momentum one of their own is diagnosed with a life-threatening illness. Tender is at once a heartbreakingly beautiful and beautifully funny glimpse of an extraordinary community taking on one of the most essential challenges of human life … its end.

The raw, heartfelt and often funny journey of adult Aboriginal students and their teachers as they discover the transformative power of reading and writing for the first time.

In the 1980s and 1990s a wave of murders bloodied the idyllic coastline of Sydney’s eastern suburbs. The victims: young gay men. Disturbing gang assaults were being carried out on coastal cliffs around Sydney, and mysterious deaths officially recorded as "suicide", "disappearance" and "misadventure". Individual stories are woven together by first person interviews and detailed re-enactments, piecing together the facts of these unsolved cases, decades later.

A thought provoking, revelatory and inspiring documentary telling the story of Bruce Pascoe’s Dark Emu – the publishing phenomenon that challenged Australia to rethink its history and ignited a raging debate.

Sidney Nolan is one of Australia's greatest artists. His iconic images are treasures of the Australian visual language. This film explores the artist and the man from his early years to his extraordinary international career.

Gruen's Russel Howcroft tells the story of two of Australia's greatest admen Alan 'Mo' Morris and Allan 'Jo' Johnston the creatives behind some of the most iconic ads of the 70s and 80s that helped define Australia.

sucking on words is a documentary film that features interviews with, and extensive performances by, the American poet Kenneth Goldsmith. It also features critical commentary on his intense and ground-breaking conceptualist practice from three of North America’s leading voices on avant-garde poetics. Shot on location in New York in 2007, the lively conversations featured in sucking on words are an ideal introduction to Goldsmith’s witty and provocative works, which are already regarded as hallmarks of 21st-century literature. The film showcases readings from some of his notorious books: No.111 (found phrases ending in the ‘r’ rhyme and filtered alphabetically by syllable count); Soliloquy (a transcription of every word Goldsmith spoke for a week); Day (a retyping of one day’s New York Times newspaper); Traffic (one day’s worth of hourly radio traffic bulletins); and The Weather (one year’s worth of radio weather bulletins).

A journey into the emotional landscape of family, love and loss of two close friends, both Aboriginal, who were adopted by white families and have connected back with their bloodline families.