Directing
Heaven a private massage club hidden on the fourth floor of an old apartment; here, the tuina teacher's providence can always use a unique way to touch the wounds in the heart of the guests that they don't want to face, and help them solve the cause of the disease. To find the softest and warmest self...
When Jade, a web-cam girl, visits Takeko's tattoo studio she becomes entranced with the image of the spider lily and with Takeko as well. In order to get closer to the object of her desire, Jade asks Takeko to give her the same lily tattoo, challenging Takeko's monastic existence and opening up memories which threaten to tear the two women apart.
Once a champion of international cocktail competitions, bartender A-rong struggled through life after losing his sense of smell. When a friend bought a bar, A-rong returned to the counter, showcasing his remarkable mixology talent. He crafted personalized drinks for each bar patron, with every glass telling a story of joy and sorrow. Meanwhile, the romantic setback that once defeated A-rong quietly resurfaces on this journey.
Across three eras, eerie dreams of a red snake connect the intertwined fates of two families. In 2026, Xiao Lian’s play about her grandmother Paochu’s guerrilla tales sparks a political backlash. Seeking Paochu’s hideout with the guide, Yulao, they find a dead Vietnamese logger. In 1989, police informant JunXian breaks from his handlers after confessing to Ya-Hong, Xiao Lian’s mother, who's the editor in chief of a magazine, then is framed for robbery and is tortured by the police. In 1952, A-Kun, an idealistic enforcer for Paochu’s guerrillas is also a henchman for them. History repeats itself as love and justice struggle against a legacy of hatred.
Following the success of The Long Goodbye, the Taiwan Catholic Foundation of Alzheimer’s Disease and Related Dementia has embarked on a second documentary film dealing with the plight of elderly people suffering from conditions like Alzheimer’s and other degenerative disorders resulting in memory loss. When Yesterday Comes takes the route of a compendium of four shorts by different directors.
On his 18th birthday, Jan Wen shoots randomly at the crowds in a night market for unknown reasons. The tragic incident causes a strong impact on the lives of his family and friends, the victims and the witnesses. However, if there was a chance for them to make different choices, would the tragedy still happen? Will it be a different outcome if they all changed their behaviour at the crucial moment?
A professional hand model Ching suffers from post-natal depression and her architect husband Hsuing is unable to deal with it, driving their marriage to the brink of collapse.
Having grown up in the mountains Chiayi, installation artist WANG Wen-chih weaves his memories of mountains and forests into his work. Using natural materials such as bamboo, rattan and wood, WANG creates his art with hands and collective labor. The huge spaces he constructs emit such deep and strong power that surprise and move countless visitors. This film follows WANG on his journey of creation.
Within the walls of the former Green Island prison, political detainee A-Kuen, tells the stories of imprisonment and persecution happened in the 1950s in Taiwan. Among fellow inmates, frozen in time, he recounts his own experiences and those of his friend, A-Ching, who never made it out. Experience the time and place, and the waiting, in hope, for a chance to keep the stories alive.
As the director and the cameraman of a documentary project, Meng and Jianxian are travelling around Taiwan filming statues of religious and historical figures. Their conversations and debates on the statues often touch the political reality of Taiwan. Meng's girlfriend, Ning, is involved in a mediocre commercial feature film (initially as location scout and subsequently as an actress). Instead of realizing her ambition, she finds herself being exploited by the filmmakers. On the other hand, Meng and Ning's relationship is gradually faded.
A newly homeless family, with a sacrificed pig, in a city longing for rain: with compassion and prayer, they try to survive.
A collaborative project consisting four young generation of Taiwan directors, and four young foreign directors from Chile, France, Iran, and South Korea.Without being acquainted previously before meeting each other in Taipei, the eight of them shared their life experiences, and then co-wrote and co-directed four short films based on impressions and imaginations of a city.
Mentioning Diao-yu-tai evokes an immediate patriotic response in Taiwan due to the territorial dispute between China and Japan, sparked by a 1968 oil field survey in the East China Sea.
"I'm interested in the topic of homeless people and… there are a lot of things in this world that do not make sense." – Singing Chen Bundled is activist filmmaker Singing Chen's fiction/verite reflection on homelessness in Taiwan.
Filmed for over 10 years, this epic documentary presents the story of renowned Taiwanese choreographer Lin Lee-chen and her Legend Lin Dance Theatre. Extracting the essential details of Lin’s daily life, the film explores the origins of her dance, contemplates the poetic and ritualistic movements she creates, and delineates her lifetime pursuit of aesthetic concerns.
Each vision lasts a light time.
A young woman in an old town is looking for a place to stay. How does her gaze differ from the goddess's?
A story of uprooted trees and displaced people finding ways to heal.
On the night of March 18th, 2000, the presidential election, as usual, three coastguards are on patrol by the seaside of Yi-Lan. Private First Class, just out of lock-up, is equipped with a walkie-talkie. The Private (second in command) has a military 65-K2 rifle and the Private recruit (rookie) has two clips of ammunition. Seeing that it's still a long, boring night ahead, The Private starts looking for excuses hazing the rookie⋯
A truck drives into a square and a moveable tent is set up. Audience members enter and hear the faint voices from the cracks in society. As the tent becomes a convergence of the thoughts of those both on stage and off, we feel the power of resistance that the entire action entails. Functioning both as observer and participant, the director documents the tent's movements around Taiwan in the past decade.
