Valeria Lois

Fresh out of prison and low on options, two women run a fumigation business — until a shady client pulls them back into the life they fought to escape.

The members of a diverse vigilante group formed to boost the police's image are put in jeopardy when they stumble upon an unexpected drug deal.

The series proposes a new look at the human bonds of the new century. Each of the chapters develops a unique story. They are focused on the conflicts that their characters face in the face of the resistance of a society that often does not fully accept new realities, a product of the transformations that are currently being experienced.

Based on the true story of one of the most notorious crimes in Argentina, the series intimately follows all those involved in the case, and those who are still seeking an answer to the question: Who killed María Marta?

In each episode, which takes place independently of each other, commissioners Jiménez (Luis Luque) and Laurenzi (Darío Grandinetti) must solve different police cases that will be presented to them and will be a challenge for them, for which they will receive the help of the editor literary Daniel Hernández (Nicolás Cabré) who is looking to write a book about crimes.

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A misguided American documentary crew working for an edgy media company travels to rural Argentina to profile a local musician, but their ineptitude leads them into the wrong small town. As they collaborate with locals to attempt to fabricate a viral trend, unexpected connections blossom, while a pervasive crisis looms unacknowledged in the background.

The Diamantes are a clasic mid class family from Buenos Aires. There's Miguel (Suiar), his wife Elisa (Diaz) and their three children: Lara (19yo), Tobi (18) and Mia (15). Their lives are quiet and peaceful, however everything is going to change when they meet Fabiana (Bertotti).

Sebastian, a man in his thirties, works a series of temporary jobs and embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.

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A 36-year-old meek woman realizes that there’s younger people trying to outpace her doing much less, so she makes a risky change by removing her filter.

“Chalet” is a series of stories that take place entirely in a living room. Written and directed by Malena Pichot.

A renowned sommelier finds a way to communicate with her past self in an attempt to correct the mistakes that have shaped her life. However, each message sent triggers unexpected consequences, altering not only her present but also the fates of those around her. What begins as an opportunity to make amends for the past becomes a race against time to prevent everything from spiraling out of control.

Martín, a TV host of 42, has the urgent need of becoming a father. Leonardo, an agronomist of 45 and Martín’s partner for the past ten years, has doubts since he himself was adopted by his parents.

Norma works at an advertising agency where she must produce everything she despises. Her job represents everything she's always hated, but the fear of change is stronger. Her friends live in an eternal present where nothing is stable and everything is for now, and although she envies her friends' freedom, she doesn't dare imitate them.

During the military dictatorship of Argentina in 1977, office clerk Francisco Sanctis, his wife and children lead a quiet life in Bueno Aires. But one day an old friend calls him after 20 years, asking him to sign something. When they meet, she explains that she actually wants him to warn two of her friends that are about to be kidnapped by the army, and Francisco must decide if he wants to risk everything for two strangers.

Estela and her mother Clota must travel from Junín, where they live, to the town of Costa Bonita, in Necochea, to see some apartments that Estela's father has inherited from her.

Two teenage outcasts, who resent their schoolmates and teachers, resolve to spread panic in school through a series of anonymous vandalism acts. Little by little, the game loses its innocent approach and the boys find themselves absorbed in a dangerous spiral of violence that seems to have no limits.

A woman and her 14-year-old daughter, who is a sleepwalker, in the midst of awakening. A marriage on the edges of a silenced crisis. A ritualistic, matriarchal, and endogamous family. Grandmother, siblings, cousins. A new summer, sweat, alcohol, traditions. Naked bodies, changing bodies, and the gazes upon those emerging bodies. A new New Year's celebration in the old historic family mansion is the trap for the sleepwalkers to finally awaken.