Andrés Quaranta

Architect Fabián Danubio desperately tries to find his daughter, who has inexplicably disappeared leaving no trace.

By chance, Martin and Laura travel to Villa Gesell at the same time. They are not together anymore but 18 years ago they conceived their son, Pablo, there. Soon, situations as absurd as they are touching will arise from their encounter. Juan Villegas ventures into comedy and is back at Bafici with a nostalgic, intimate film.

A small town in an Argentinian province, 1975. The life of Claudio, a successful lawyer, gets complicated when he has a stupid quarrel with a stranger in a crowded restaurant.

Hopeful that an open-ocean sailing trip might relight the spark of their passion, a troubled married couple hits a breaking point when one's refusal to explore a foreboding deserted island sends them on a deep internal journey that will soon require drastic decisions in order to survive.

Eight years after the first installment, Ailén, Fernando, and Nina, meet again in the BAFICI competition. From that reunion, they decide to resume their unfinished project: Tandil/Tromso. They bring along two new collaborators: Martín and Nancy.

Esmeralda (Marcela Mar), a woman determined to uncover the truth behind the tragedy that destroyed her family, embarks on a desperate quest that leads her to unearth the darkest secrets of La Alameda, a small mining community in Colombia. With the help of Joaquín (Juan Pablo Urrego), a farmer who knows the land and its dangers well, she follows the last traces of her late husband, a high executive at a multinational mining company. Together, they slowly peel back the layers of something much more sinister and discover an ambitious society fighting for gold and territory. Esmeralda becomes trapped in a dangerous game of betrayal and power, where every step she takes brings her closer to the truth... but also to death.

Buenos Aires, during the summer heart, in gated communities surrounded by wastelands covered with trash. The barking of stray dogs, repeated power outages, and uncontrollable clouds of smoke drive the inhabitants to confront their most primitive instincts.

During the first half of the 19th century, in a vast and desolated land fallen into anarchy, several armed groups drift along the infinite Pampas demanding support and food from the peasants. Even if they are bitter rivals, they all claim to pledge allegiance to the “movimiento”. Among these gangs is one led by Señor, an educated man who, with two of his followers, intends to found a peaceful new order. But while his enchanting words and manners seem appealing, his methods reveal an unstoppable thirst for power.

Leopoldo is an 11 year old boy who grew up surrounded by artists. During the three months of spring, the boy discovers love in one of his of poetry classmates which she then leaves him with a broken heart.

Clara and Alejandro move into a new house. A few days later, he goes on a work trip and she is left alone, surrounded by moving boxes. That chaos makes her accept a series of random invitations that will take her away from the hermetic world she lives in.

Ignacio embarks on a trip driven by the coincidences that bring together the news that his young girlfriend is pregnant and an invitation to a seminar in Chile almost simultaneously.

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Itaeté, a Guaraní elder, tries to instill his traditional legacy in Ulises, but the boy's vocation is music. Due to an accident, the old man dies, and Ulysses accepts the atavistic legacy of canoe construction.

A group of armed men are wandering in the jungle, tracking themselves one another. Some move in pairs, some alone, some wear military uniforms and some don't. Like in any sort of game, rivalries and internal conflicts will not take long to emerge, drawing a line between the strong and the weak.