Jürgen Thormann

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Wolffs Revier is a German television series.

The exciting stories about the cheeky chimpanzee Charly, who finds a new home with a Berlin vet family.

Für alle Fälle Stefanie is an German medical drama television series created by Werner Krämer that aired on Sat.1 from May 15, 2005 to August 29, 2005. It was produced by Novafilm Fernsehproduktion. Für alle Fälle Stefanie follows the professional and personal life of nurse Stefanie Engel, then Stephanie Wilde and for a short time Fanny 'Stephanie' Stephan. The show was a giant success for the network and had around seven, in later years, five million viewers on a weekly basis. It won the Goldene Kamera award in 1997 and the Bavarian TV Award in 1996.

Ein Heim für Tiere is a German television series.

Praxis Bülowbogen is a German television series.

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SK-Babies is a German television series.

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Scheibenwischer was the name of a long-running German Kabarett show. It was founded in 1980 by Dieter Hildebrandt and produced by BR / RBB to be broadcast on Das Erste. The show ended in 2008 after 28 years on the air.

Legendary British actor Michael Caine, who began his brilliant career on stage during the 1950s, talks about his private life, his work in film and the books he has written.

Der Millionenerbe is a German television series.

Jakob und Adele is a German television series.

Elbflorenz is a German television series.

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Frank, a gay school teacher, has a very active sex life and an interest in making films. One evening, he meets Bernd and they become lovers. But while Bernd is attentive and caring, Frank gets bored and continues his polymorphously perverse ways.

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Three guests in a luxury hotel. The highly respected managing director of a computer company, an actor and womanizer and finally a bespectacled murderer who has calculated that a hotel room is the perfect setting for the murder of his victim, a Chinese politician passing through. As luck would have it, the three men swap rooms. As a result, the call girl, who is actually expected by the actor, ends up with the murderer, the respected businesswoman expected by the manager goes to the womanizer and the businessman's real wife, who (unexpectedly) turns up to accompany her husband, suddenly finds herself in the same room as the call girl and the murderer. Events come thick and fast and the murderer, whose glasses have been broken in the confusion, is unable to carry out his murder.

A hundred years after the theft from New Zealand of three irreplaceable tribal carvings, two members of a Māori tribe decide it's time for ancient grievances to be put right. Variously praised as a major step forward in indigenous cinema, attacked for overambition, and little screened, Te Rua marked Barry Barclay’s impassioned follow-up to his acclaimed debut feature Ngāti.

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