Directing
Matthew Rankin (born August 5, 1980; Winnipeg) is a Canadian experimental filmmaker.
A young quebecer descends into alienation and depression.
In the late 1990s, a family of six settles into their new home on Vancouver Island, as internal dynamics are slowly revealed through the experiences of the youngest child, Sasha. Their fresh start is interrupted by the increasingly dangerous behavior of Jeremy, the family's oldest child.
In space, a charming little planet named Pluto dreams of joining the Solar System’s official dance troupe. With the help of her asteroid friend, Ceres, and her human discoverer, Clyde William Tombaugh, she will do everything she can to make it happen. In this children’s film, where humans and planets share the spotlight, viewers will accompany Pluto on her quest for fame, until the moment she must face her destiny.
Winter. Somewhere between Tehran and Winnipeg. Negin and Nazgol find a sum of money frozen deep within the sidewalk ice and try to find a way to get it out. Massoud leads a group of befuddled tourists upon an increasingly-strange walking tour of Winnipeg historic sites. Matthew leaves his job at the Québec government and embarks upon a mysterious journey to visit his estranged mother.
December 31, 1999. Quebec is a few hours from year 2000 and its potential bug. Trapped in a Montreal appartement, Momo needs only one thing to survive this nightmare: couscous.
Haunted by visions of the future. Vilified by the political establishment. Charming beyond belief. Behold the dazzling ascent of Brian Mulroney, the “Boy from Baie-Comeau” who built a brand-new Canada.
Only the electrifying courage and love of Québec nationalism can save the citizens of Winnipeg from committing mass suicide.
Bridgeport, January 17, 2008. A teenage girl is found hanged in her room. While everything points to suicide, the autopsy report reveals something else. Ten years later, the director and cousin of the teenager examine the past causes and future consequences of this unsolved crime. Like an imagined biography, the film will explore the relationship between the security of the living space and the violence that can jeopardize it.
The camera’s roving eye seems to warp and bend a mysterious white room in this unsettling excerpt from a film Guy Maddin created for the opening of the Toronto International Film Festival’s Bell Lightbox building.
Toronto, Canada, 1899. William Lyon Mackenzie King (1874-1950) fervently believes that he is destined to become Prime Minister, but to do so he will first have to fight his personal obsessions and overcome the many obstacles he will encounter on his tortuous path to power.
This micro-epic short film is an inspired tribute to visionary avant-garde composer Walter Boudreau: his life, work, mischief, and boundless artistic curiosity. Both a documentary biopic and a wildly abstract hallucination, the film conceives of Walter Boudreau as a radical explorer, struggling against the inert mass of the cosmos, charting bold new paths of artistic freedom and audaciously expanding the frontiers of our known musical universe.
Two cyclists face off in a brutal cross Canada bike race.
In the idealism and mutation of his home town of Winnipeg, the filmmaker Matthew Rankin launches a failed campaign of absolute inter-human solidarity entirely in Esperanto, the artificial language of world peace.
On a secluded prairie farm, adolescent boys labor in wheat fields for a sexually predatory warden and his farmhands, who threaten to feed them to a voracious beast if they ever disobey. The newly arrived Linus instantly catches the warden's eye, and begins to receive secret visitations from a mysterious girl. The other boys tell Linus the legend of a special boy who fled the farm and became a glorious angel that will one day return to free them all. When Linus asks the girl if she is the angel, her answer is enigmatic. After the warden's favorite boy dies, Linus is poised to become the next victim. The girl reappears and promises to help him escape, but with hope comes punishment.
Commissioned self-portrait of the artist as metaphysical remix of Abbas Kiarostami's "Close-Up" recorded on a cellphone.
In the aftermath of the 1950 Winnipeg flood, Fernand floats listlessly through the sad, sunken landscape of ruin. His estranged wife prays for the drowned souls of Saint-Boniface.
A found footage video essay tracing Winnipeg's civic pathologies, aesthetic fabulations and exquisite strangeness through the prism of its own low-budget, lo-fi TV advertising produced between 1975 and 1992.
1987: While the other students wonder if new kid Robin is a boy or a girl, Robin forges a complicated bond with the school bully, making increasingly dangerous choices to fit in.
A completely hand-made historical micro-epic about the final minutes in the life of Winnipeg's doomed Second World War hero, Andrew Mynarski (1916-1944). Combining wartime aviation melodrama with classical and avant-garde animation techniques (including stop-motion, silhouettes, bleaching, scratching, hand-painting and rubbing letratone patterns directly on the celluloid) Mynarski Death Plummet is a psychedelic photo-chemical war picture on the theme of self-sacrifice, immortality and jellyfish.
Found-footage tribute to Winnipeg salesman and video artist Nick Hill.