Daniel Bandeira

Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.

Iremar works at the rodeo in North East of Brazil. From his home, the truck he uses to transport the animals, he dreams of a future in the region's booming clothing industry.

To protect herself from a revolt by the workers on her family's farm, a reclusive designer locks herself in her armored car. The clock is ticking and the tension rises. Separated by an impenetrable layer of glass, two universes are about to collide.

A small-scale romantic love story, shot with a digital camera in black & white and in a documentary style. We follow the conversation between two lovers, each on a different side of the world; he is in Recife, she is in Kyiv. On one side is dark, on the other light, but both experience the same emotions and hence feel nearness and contact.

Iris lives alone in a spacious apartment by the sea. The green horizon seems to distance it from the city in comfortable isolation. At nightfall, the place hosts known and unknown in a frantic party flow. Iris is the main attraction. But on a hungover morning, she finds a corpse in the living room. As in the distorted reflection of a crooked mirror, Iris feels repeating steps of her childhood friend, Tiara, a medical student who had run over a guy at the exit of a nightclub. After the incident, Tiara plunges into a spiral of self-pity, sentimental emptying and violence. The case is well known in town and Iris does not want to become another ghost in this dark repertoire of stories. In All the colors of the night, reality works as a dimension of imagination, memory and madness.

Flavio Danillo is a personal trainer whose students attend him at the gym. At home, Flavio works his body into a state of decay. Suddenly, his body no longer responds his mind taking over control.

The urban legend of the "cotton girl." The dead girl appeared in the bathrooms of schools to terrorize children.

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

A middle-class family living in a house filled with superfluous electronic appliances see the arrival of a new item, a 29" TV-set.

A mother gives her daughter a box full of old, coloured little vinyl records. The daughter may listen to them, but she should never, ever, play the green one.

Epaminondas is a low-income middle-class civil servant in the early 1970s. He is an ordinary man, a family man, whose day-to-day life is surrounded by bureaucratic commitments and can no longer stand the banal routine he is subjected to.

After years on the run, Joca is back again in town. And, to commemorate, nothing better than a night on the tiles with his good friends Nelsão and Benito. However, the happy occasion turns to a nightmare when Joca is suddenly taken ill. With no money, no transportation or communication, his friends now have to carry him through the deserted town to the closest hospital. A race against the clock is about to begin, with umpteen surprises and enough to shake the firmest of bonds of friendship.

In 1965 a VW Beetle is sold in São Paulo, Brazil. Forty years later, the car ends up in a Recife scrapyard in the northeast, with the license plate KFZ-1348. The documentary “The Beetle KFZ-1348” presents the stories of this car through its eight owners, whose lives show a unique portrait of a country.

Man and Woman are reunited after a long time. Sorrow and desire cannot break the silence. But that's okay: when words don't come, it's the body that speaks.

A thug love. A ruthless passion. A devastating fire. Thus began the saga of death and revenge by the one they called Soledad.

For the last 500 years, Edilson has been cutting sugar cane in Brazil. One day, the machines arrive and he leaves his job to engage in his first space mission. A small step for him, a giant leap for the nation.

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