Marco Eisenbarth

Follow the German wrestling tag team 'Pretty Bastards' as they make their way through the independent wrestling circuit. Maggot and Prince Ahura. Two characters who couldn't be more different and yet have much more in common than wrestling. The Bastards themselves and many of their companions will guide you through this unique place called the World of Wrestling. Always on the dream of wrestling for a living one day, their minds are always battling obstacles, injuries, and sometimes themselves. Through ups and downs, success and failure, the Pretty Bastards don't just build a Tag-Team up in wrestling, but a real brotherhood. Meet the Bastard Sons of Wrestling!

Crimson Mask is a documentary film by Marco Eisenbarth, that follows German 'Ultra Violence Wrestler' Thumbtack Jack a.k.a. Alexander Bedranowsky in and outside of the wrestling ring. Being much more than a simple career review, the film gives a deep insight beyond the mask of this seemingly violent and insane character that is Thumbtack Jack, who mutilates his opponents with thumbtacks, barbed wire, syringes and even fire. Crimson Mask shows the man on the other side. From his career high in the USA to his feud with arch enemy Drake Younger all the way to his very last 'Death-Match' against long time friend and mentor 'Hate', the filmmaker never leaves Thumbtack Jack's side. But then fate strikes and changes Alexander Bedranowsky's life forever...

Cutting Deep is the very first feature length documentary about a Death Match Wrestler. It follows the German wrestler Thumbtack Jack in- and outside of the wrestling ring granting a deep look into the career and life of this unique athlete. It takes the viewer beyond what happens in the ring and reveals a person that couldn't be any more different from the sick and twisted character that Thumbtack Jack is inside of the ring.

Leon, from Frankfurt, returns to his native Albania after 20 years to scatter his deceased grandfather's ashes in the sea and is forced to confront his past and the family he never wanted to see again.

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A child is left alone at home. The rules and codes of the adults seem ubiquitous: “No TV before eleven in the morning” – but nobody is around to check on the child's behaviour. While watching TV the child starts to relate to scripted reality show actor Daniela. Her subversive actions enable the child to search for a way out.