Acting
Marco Santin and Giorgio Gherarducci - supported in the studio by Mago Forest, a great cast of comedians and many surprise guests - comment with biting irony on the most popular TV programs, the main sporting events and the last web trends.
Isotta, a poor and overweight girl, works as a seamstress in a popular district of Naples. She spends her time dreaming to escape from the harsh reality.
Gigi Proietti's return to television with a show all his own that will see him perform his "warhorses", confront himself with unpublished repertoires linked to contemporaneity, duet with many friends and colleagues from the world of entertainment, television, cinema and music who in turn will perform their "warhorses"
In 1920s Bagheria, Giuseppe 'Peppino' Torrenuova works as a shepherd to financially help his poor family. Over the next fifty years, Giuseppe's life, as well as the life of the village, is observed. Giuseppe grows up, joins the Communist Party, marries a local girl, has children, and forges a political career for himself.
Six people struggling with their relationship, or lack thereof, cross paths with their respective exes — and discover they might still harbor feelings for each other.
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Marco encounters his ex-girlfriend Consueloand starts seeing her without telling that he has just married. Antonio is an MP and during his European trip he has a love affair with elegant Olga who has a big secret to hide. Recently-jilted Fabio is mistaken for psychiatrist by a beautiful girl Valentina with whom he falls in love. A divorce lawyer Sandra is romantically attracted to her client's husband Massimo.
A policeman who spies on the lives of others, an important banker married to a housewife who poses as a noblewoman. A precarious young masseuse and an electrician madly in love. Very different lives that end up intertwining. But also extremely complicated and troubled lives ... Even if, after all, life is a wonderful thing ...
Young Father Giulio returns to Rome, where he was born and raised, to replace a priest who has left the clergy to start a family. He is delighted to reunite with his loved ones, especially his mother, sister, and old friends. Once radical leftists like Giulio himself, the latter are now each coping in their own way with the defeat of the revolution. Soon, however, Giulio realizes that despite his best efforts, he seems unable to solve the problems troubling those around him.
A married man with two children, faithful and in love with his wife, discovers that his wife would like to spice up the menage a little. He plays along and starts texting her as if he were his lover.
Michele is a young filmmaker frustrated by the lack of understanding his work receives and at odds with the film industry, especially a colleague making a musical on the '68 student protests. As he struggles to complete his own film about Freud's mother, Michele's insecurity and creative block manifest in a series of unsettling nightmares. Nanni Moretti's self-inquiry into cinema, political ennui, and men's relationships with their mothers.
Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.
Michele, a young mathematics professor, moves into a new flat. Lonely, depressed and neurotic, he spends his time obsessively monitoring the couples around him, especially his neighbors, a young pair struggling to make their relationship work. When Bianca, a new teacher at the local high school, enters his life, Michele finds himself falling in love. At the same time, a string of murders rocks the neighborhood, casting suspicion on him.
Three families go into crisis when their daughters get engaged because they are convinced that their young daughters have all chosen a wrong partner.
The comedy, centered on five characters (Rita, Rodolfo, Agostino, Bettina, and Don Attilio - "o viecchio pazzo"-), has as background the Italy of the 60s between the economic boom and the perennial unemployment crisis. The cylinder, well explained by "Agostino-Eduardo" in the comedy, is a representation of power, designed to intimidate the ignorant for its only evocative "power". It can also be seen as a sort of "Pirandellian mask", where the character of Augustine wears it to defend himself and represent something that he is not.
The story of the De Filippo brothers, children of Eduardo Scarpetta.
Mirea is about to be 18 years old, and her family is prepearing a big party for her. Teresa, Mirea's mother, wants to gain notoriety, so begins to spend recklessy for the celebration. When the day finally comes, an unexpected death puts it at risk.
A police inspector has to help an eccentric stranger who seems to have lost his memory.