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Axel Ganz

Axel Ganz

Acting

Known For

Hausmeister Krause – Ordnung muss sein
6.7

Hausmeister Krause – Ordnung muss sein is a German sitcom with Tom Gerhardt in the title role, shown from 1999 through 2010 on Sat.1. The series parodies typical German "squareness". Half-day janitor Dieter Krause is the embodiment of the German "square"; he is pernickety, blindly follows order, denounces others, is nosy, consistently puts his own interests above all else, acts subservient to his superiors and is brutish and unjust to those he deemes below him. Many plot elements — mishaps, misunderstandings, and frequent cases of mistaken identity — originate from Boulevard theatre. The characters in the series borrow heavily from those in Tom Gerhardt's film Voll normaaal, in many cases sharing names. In Voll normaaal, Tom Gerhardt played the roles of both Dieter and Tommie Krause; in Hausmeister Krause, Tommie was played by Axel Stein. Daughter Carmen is played by Janine Kunze. Other characters from Voll normaaal, such as Tommie's friend Mario, are relegated to the status of background characters. The scope of action also changed.

Hausmeister Krause – Ordnung muss sein

1999Series
Molière pour rire et pour pleurer
9.5

Molière pour rire et pour pleurer recounts the life of Jean‑Baptiste Poquelin, from his childhood in an artisan family to his rise as Molière, a central figure of French theatre. The series shows his difficult decision to abandon the family trade and join Madeleine Béjart to found L’Illustre Théâtre, marked by debts and repeated setbacks. While touring the provinces, he shapes his style and discovers the power of comedy. Back in Paris, he makes a name for himself with Les Précieuses ridicules, but his sharp satires provoke fierce opposition, especially during the Tartuffe scandal. Supported by Louis XIV, he continues despite attacks, literary rivalries, and tensions within his troupe, particularly with Armande Béjart. The miniseries also follows his growing exhaustion, his determination to perform at any cost, and his final breath after Le Malade imaginaire, the ultimate symbol of an artist who lived — and died — for the stage.

Molière pour rire et pour pleurer

1973Series