Marielle Nitoslawska

Are bad girls casualties of patriarchy, a necessary evil, or visionary pioneers? By tracing the concept of the bad girl in Japan as a product of specific cultural assumptions and historical settings, Bad Girls of Japan maps new roads and old detours in revealing a disorderly politics of gender. The essays explore deviancy in richly diverse media. Mountain witches, murderers, performance artists, cartoonists, schoolgirls, and shoppers gone wild are all part of the terrain.

The film investigates explicit representations of female sexuality by women, exploring the pragmatic and philosophical questions they pose, with emphasis on the ways in which the creation of women-friendly pornography confronts and alters the expectations of male consumers. Ultimately, Nitoslawska is concerned with how we comprehend desire, gender and identity, how we understand and represent its history, and the resulting affect on culture and human relations.

Michal Tarkovsky's twenty-minute etude begins with a long monologue in which we hear overlapping voices recorded from television. The magma of sounds appears against a background of blackness that lasts for more than a minute on the screen. We then observe a series of images ripped from the television set. Out of the chaos emerges information about the Highland Academy, which has resumed its activities. The theme of the session will be measuring the world. The bicentennial of the first balloon flight will also be celebrated, with the Montgolfier brothers as guests of honor.

December 6, 1989. Sylvie Gagnon was attending her last day of classes at the University of Montreal's École Polytechnique, when Marc Lépine entered the building. Separating the women from the men, he opened fire on the women students, yelling 'You're all a bunch of feminists.' Sylvie survived, while fourteen other women were murdered. This video makes the connection between the massacre and male violence against women, setting the stage for an exploration of misogyny and sexism.

One of the studies showing the life of foreign students in Polish People`s Republic who enter into relationships with polish women. The author presents the everyday life of black man - his family relationships and work.

Breaking The Frame is a feature–length documentary portrait of the New York artist Carolee Schneemann by Canadian filmmaker Marielle Nitoslawska. A pioneer of performance and body art as well as avant-garde cinema, Schneemann has been breaking the frames of the art world for five decades, in a variety of mediums, challenging assumptions of feminism, gender, sexuality, and identity.