Dave Rowntree

The biggest stars, the most iconic performances, the most outrageous outfits – it’s Britain’s number one pop show.

When soldier Shaun Emery's conviction for a murder in Afghanistan is overturned due to flawed video evidence, he returns to life as a free man with his young daughter. But when damning CCTV footage from a night out in London comes to light, Shaun's life takes a shocking turn and he must soon fight for his freedom once again.

A protection officer and an MI6 operative team up after a terrorist attack. They suspect a mole as they race to thwart a larger conspiracy threatening Paris.

The biggest night in the British music calendar, the BRIT Awards celebrate the biggest successes in music & promote new talent.

Unknown histories take center stage as the hitmakers themselves - from ABBA to T-Pain - explore dimensions of pop music you never knew existed.

TFI Friday was an entertainment show broadcast on Channel 4 in the United Kingdom from 1996 to 2000. The show was produced by Ginger Productions, written by Danny Baker and hosted by Chris Evans, for the first 5 series. The final series was hosted by a number of guest presenters. It was broadcast on Fridays at 6pm from 9 February 1996 to 22 December 2000, with a repeat later that night. The title officially stood for "Thank Four It's Friday", but was widely understood to mean "Thank Fuck It's Friday" and was a reference to the popular phrase "Thank God it's Friday". The show's theme tune was Ron Grainer's theme from Man in a Suitcase, in keeping with Evans's frequent use of 1960s television themes in his work.

Iconic British band blur (“Song 2”, “Girls & Boys”) comes together to record their first album in eight years – the chart-topping The Ballad of Darren – and prepare for the biggest concerts of their career, two sold-out shows at Wembley Stadium. With footage of the band in the studio and on the road, plus performances of their much-loved, seminal songs.

A documentary on the cryptic cartoon band, Gorillaz. From 2000-2006 director Ceri Levy filmed the creators behind the scenes, revealing the first drawings, animations and music, and following the evolution of the group through to the album Demon Days.

Super close mother Lyn and daughter Iona (Dafty One and Dafty Two) are excited for their new life in a new town. Determined to make a success of things after a tricky start, Iona becomes 'best friends' with Keely, Stacey and Chelsea. Used to being Iona's bestie herself, Lyn feels left out. So Lyn also makes friends with Belinda, her neighbour.

Brosettes rejoice! Matt and Luke Goss take on the big screen – and each other – in this candid documentary charting the twin pop sensations' stormy reunion.

Blur: The Best Of is a greatest hits compilation album by English Britpop band Blur, first released in late 2000 and is the final Blur album by Food Records. It was released on CD, cassette tape, MiniDisc, double 12" vinyl record, DVD and VHS. The CD album includes 17 of Blur's 23 singles from 1990 to 2000, plus non-single, "This Is a Low". A special edition of the CD version included a live CD. The DVD/VHS version contains the videos of Blur's first 22 singles. The album, which has had enduring sales, hit number 3 in the band's native UK in the autumn of 2000, while denting the US charts at number 186. The cover is by artist Julian Opie. The painting of this Blur album can be found at the National Portrait Gallery in London, England. The album's cover bears some similarity to that of Queen's 1982 Hot Space.

Three years of candid camera on the road with Blur, from Reading 1991 through the dark ages of the EEC in 1992 and then on to Modern Life. This 126 minute tour film features live footage including scenes from Glastonbury ’92, the Heineken Music Festival ’94 in Nottingham, and festivals in Germany, Denmark and Sweden. It is a fascinating rockumentary about the early days of one of the most influential bands of the 1990s.

A cinematic concert film immortalizing blur’s biggest shows to date. Highlights include The Narcissist and St Charles Square from the recent acclaimed #1 album, ‘The Ballad of Darren’, as well as There’s No Other Way, Popscene, Beetlebum, Trimm Trabb, Villa Rosie, Coffee & TV, Under the Westway, Out of Time, To the End, Parklife, Song 2, This is a Low, Girls & Boys, Tender, and The Universal.

Showtime is a video recording by British rock band Blur, released in February 1995. Directed and edited by Matthew Longfellow and produced by Ceri Levy, the film is a recording of the band's gig at Alexandra Palace, London, England on 7 October 1994.

In August 1995 Blur and Oasis were engaged in a head-to-head chart battle which divided music fans and led to a wider argument about British pop music. John Harris, journalist and author of The Last Party - the definitive study of the entwinement of music and politics in the 1990s - presents a documentary charting the rise of Britpop, its brief romance with New Labour and the emergence of 'new lad' culture. Finally, as Britpop declines, he asks what legacy it has left. Including contributions from Blur's Graham Coxon, Elastica's Justine Frischmann, Sleeper's Louise Wener, former New Labour insider Darren Kalynuk, and the founder of Creation records, Alan McGee.

A documentary film about the British rock band Blur. Following the band during their 2009 reunion and tour, the film also includes unseen archive footage and interviews.

Silver Servers tells the story of four ’Super Senior’ tennis players in their 80s and 90s — one of them the oldest living player in the world — as they prepare for the International Tennis Federation Senior World Championships; on their remarkable journey, they show us what drives them to keep on playing and competing, helping us realise what is possible in our own lives, whatever our age... and the joy in keeping on going. Tennis is the sport, but the game is life.

On December 11th, 1999, Blur performed a setlist featuring all their released singles at the time at Wembley Stadium.

'The Magic Whip: Made in Hong Kong’ is a 30-minute film about the making of blur’s new album, featuring exclusive interviews and personal studio footage shot by the band.

Charts the iconic British band’s sprawling journey over the last few years – from an unexpected break in Hong Kong which sowed the seeds for their first album as a four piece in 16 years, to a glorious home coming show in London and, finally, an emotional reunion with their Hong Kong audience.