Prasanna Jayakody

In a small village deep within the forests of Sri Lanka, everyone follows the teachings of a monk, with the exception of one hunter. While no one dares to kill in accordance with the monk’s teachings, the lone hunter hunts and provides meat for everyone. Meanwhile, beautiful villager Gomari is killed by a leopard, but no one knows this. Suspecting what happened to Gomari, the hunter begs the monk to cancel the upcoming full moon rituals, but the monk refuses, believing in the inevitability of fate. The hunter that never kills unless absolutely necessary must now hunt alone for the leopard that will attack humans.

Abasiri’s wife Suddhi abandoned him and the village a long time ago. Now, Abasiri and his young friend Mani are summoned to identify a woman who got raped and murdered in the city. Hiding his personal distress after the shocking discovery that it’s his own wife, Abasiri embarks on a strange journey with a coffin heading through captivatingly beautiful hill stations towards the village where embarrassing rumours of Suddhi’s demise are already spreading.

Young Buddhist monk Ananda, arrives at a temple in order to restore its paintings. These paintings depict Thelapaththa Jathakaya, a moral story where Lord Buddha said that a man with a big target in life must not be swayed by passion (Keles), the five senses and especially beautiful women. One day, Ananda picks up a hair pin belonging to a young woman. While attempting to return this object to its owner, his repressed feelings are awoken by the beauty and sensuality of the woman. The young monk's inner spiritual world is plunged into turmoil. Then one day the paintings are destroyed. While restoring them for the second time Ananda begins to realize that he is trapped in a web of his worldly desires and attachments.

Piyal (Jagath) is a youth who dedicates his time to drama, living alone. He suffers from a feeling of guilty for not saving his mother from death. On the other side of the walls of his place, lives a couple: Amanda (Michelle) and Nadee (Nadeeka). Nadee, is Amanda's inattentive lover tells her to abort her child on both times she was to become pregnant. Amanda also suffers from cancer. Piyal feels curious about Amanda who is older than him and later on it turns into a sexual attraction. However it turns into empathy. As a result, Piyal starts to take care and treat Nadee as her mother to get away from his guilty feeling about his mother's death. Meanwhile, Nadee appears to embrace the guilty feeling that he did not care for his girl friend. Concentrating on the dualities of life, the movie takes the viewer through emotional turbulence.