Fanta Régina Nacro

In 1997, six African women pledged that in the first year of the new millennium they would tell their stories, stories by African women. They called their series "Mama Africa" and drew their tales from the depths of their hearts. The result is a groundbreaking initiative bringing together the incredibly fresh talents of six female directors from the vast and diverse continent of Africa.

A beautiful noble Senegalese woman arrives one day in Ouagadougou, the capital of Burkina Faso, and creates chaos through the city with her remarkable seductive powers.

La Nuit de la Vérité is situated in an imaginary West African country. After ten years of civil war between the government army of the Nayak, led by 'Le président', and the Bonande rebels led by Colonel Theo, there is some sign of peace negotiations. But not everyone is in favor of peace and one can feel the tension. The night of truth starts with a festive dinner, but the village idiot Tomoto always seems capable of ruining the attempts for peace with violence and provocation.

Bintou wants to make sure that her daughter goes to school, but her husband Abel doesn’t think it’s worth it and claims there is only enough money to educate their sons. But Bintou won’t give up and starts her own business to make the extra money. Abel, wary of losing control and scared that Bintou’s newfound financial freedom will lead her to adultery, tries to sabotage her efforts. Bintou tackles sexuality, gender relations, and the fraught relationship between tradition and modernity with joyful satire.

Twelve short stories about racism in every day life.

Fanta Nacro’s debut film is a provocative look at cinematic illusions versus deadly realities. Riga is a farmer who lives peacefully with his wife and children on the Mossi plateau. When he hears a woman calling for help one day, his entire world is called into question. The first fiction film directed by a Burkinabé woman, A Certain Morning was presented at the 1992 Carthage Film Festival.

When Djénéba returns from the city where she has been visiting her cousin, she brings her husband, Konaté, a wonderful gift: a condom. Konaté is furious and refuses to change his habits. Djénéba, well aware of the effects of AIDS, refuses to give in.

In a Nigerien village there lived a poor family who found it difficult to provide for daily needs and above all to overcome hunger. This village located several kilometers from the school will not allow the children to go to class on time and to follow the lessons in the same way as the other students. In this atmosphere of daily misery, the corrupt power pays very little attention to the problems of grassroots populations and community social services are almost absent. Because of a cursed sum demanded from school by the teacher, the young girl can no longer go to school. On the other side nothing was possible to save their eldest daughter beaten to death by her husband, because they don't have enough to pay for the doctor's prescription. With sincerity and directness, this portrait of a needy family criticizes all the consequences of a badly managed country.