Jillo

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

In the 16th century, when Prince Salim falls in love with a beautiful courtesan named Anarkali, Emperor Akbar's disapproval leads to a battle between father and son.

A period fantasy that told of the ageing king of Kamarpur, and his two rival queens, Navbahar and Dilbahar, and their rivalry when a fakir predicts that Navbahar will bear the king's heir. Dilbahar unsuccessfully tries to seduce the army chief Adil (Vithal) and vengefully destroys his family, leaving his daughter Alam Ara (Zubeida) to be raised by nomads. Eventually, Alam Ara's nomad friends invade the palace, expose Dilbahar's schemes, release Adil from the dungeon and she marries the prince of the realm.

A love affair and two feuding families who play out a Romeo and Juliet type drama in 17th century India, under the Emperor Jehangir.

A disgraced widow is forced to work as a maid for her fatherless child.

In between his more ambitious Najma (1943) and Humayun (1945), Mehboob made this lightweight comedy about Justice Gangaprasad (Chandramohan) and theatre-owner Seth Badriprasad (Charlie) who lose their daughter and son respectively in the Kumbh Mela.

The film begins after Alexander the Great (Sikander in Hindi/Urdu) conquers Persia and the Kabul valley and approaches the Indian border at Jhelum. Sohrab Modi plays the Indian king Puru (Porus to the Greeks). The story goes that when Sikander defeated Porus and imprisoned him, he asked Porus how would he like to be treated. Porus replied the same way a defeated king is treated by the winner (meaning killed).

An honest but unemployed young man, Yogen, falls for the wealthy, independent Sadhana after a chance encounter, but his desperate circumstances lead to a crime tried by Sadhana's own father, the prosecutor, creating a profound social and legal barrier to their love.

The film follows the adventures of Aladdin and his finding a magical lamp which helps him in attaining the love of Princess Badar.

A man's birth is foretold by an astrologer: he will follow a prostitute, wield a knife, and face the gallows. These prophecies come true in unexpected ways, as he finds salvation through a sacrificing prostitute, becomes a surgeon, and battles personal demons, all while grappling with destiny.

Two warring families in the town of Sajalpur find their generational conflict tested when the arrogant son of one, Raya, falls truly in love with Soni, the daughter of the other, forcing him to confront his reckless nature and sparking a dramatic rivalry with a woman from the jungle also captivated by him.

Kisan Kanya is a 1937 Indian Hindi-language film directed by Moti Gidwani and produced by Ardeshir Irani under the banner of Imperial Pictures. Made using Cinecolor, the film is based on a novel by Saadat Hasan Manto that highlights the struggles of poor farmers. The film is historically significant as India’s first indigenously made colour film. While V. Shantaram's Sairandhri (1933) featured scenes in colour, it was processed and printed in Germany, distinguishing Kisan Kanya as the first colour film entirely produced within India.

A mystery woman (Sulochana) takes on multiple disguises in a battle against a murderous crime ring.

The story revolves around the characters played by the actress Sulochana. Sulochana had eight separate roles in this film: a gardener, a policeman, a Hyderabadi gentleman, a street urchin, a European blonde, an old banana-seller and an expert pickpocket who gives her money to charity.

A grand Mahabharata adaptation, this film focuses on Duryodhana's plot to usurp the Pandavas' kingdom. It culminates in the infamous dice game where Yudhishthira loses everything, including Draupadi, whose honor is miraculously saved by Krishna during a public humiliation.

Unusually violent film for its time advocating widow's right to remarry.

1947 bollywood film.

Melodrama warning women to be dutifully subordinated wives and not to be tempted by modernising trends towards individual emancipation. 'The orphaned Sarala (Rattan Bai) is estranged from her loving husband Ramdas (Kumar) by the wiles of villain Avilash (Hafizji). She runs away and, following divine intervention in the form of an earthquake, escapes the villain's clutches. Living as a beggar, she finally dies in the arms of her husband begging forgiveness.

A girl with an MA from Oxford rejects an 'idiot' chosen by her alcoholic father, and falls for the playboy.

A silent film adaptation of the popular Gujarati play, the story follows Saubhagyasinh, the lost son of a king, who falls in love with Sundari after saving her. Their romance is challenged by Sundari's manipulative step-mother, Kumati, with Saubhagyasinh's friend Madhavsinh assisting