Mike Dagñalan

A cellphone collector a.k.a. snatcher steals a drug dealer's phone and the delivery that eventually leads into a confrontation with the syndicate's angry boss who wants his money.

Beloved by revolutionaries Andres Bonifacio and Julio Nakpil, Lakambini Gregoria de Jesus' quest for justice mirrors the film's journey to reclaim the legacy of a forgotten heroine.

A nursing student by day, massage therapist by night named Precious meets a client named Happy that leads her to the shady world of pornography.

An aging assassin hides in a facility for abandoned senior citizens to protect a daughter he left years ago.

Young Berto is a glue-sniffing, street child that has fallen prey to human traffickers. When the street urchin meets Somascan Bro. Jerry, he finds refuge in the Casa Miani orphanage. But the brotherhood of the streets compel him to follow their code.

Beginning at the break of dawn and ending the next morning, the story, set around a rugged city intersection, follows the path of a marked one-thousand-peso bill as it transfers from one character to another, returning to its originator in the end, blood-tainted. The money leads us to each of the five offbeat characters, all in desperate need of their soul's redemption: a disillusioned tabloid reporter planning to commit suicide in a motel, a nightclub dancer con prostitute who has avowed to give her kid sister a better life, a fallen henchman resurfacing to score big time, a chronic runaway teenage girl held captive as sex slave by a cop, and a long-suffering son bearing a sadomasochistic relationship with his brutish, half-paralyzed father who behaves like a mad dictator in his wheelchair.

A lonely video editor falls victim to a curse whose messenger brings death through a Christmas carol.