Don Byron
Acting
Known For

A pair of kidnappings expose the complex power dynamics within the corrupt and unpredictable workings of 1930s Kansas City.
Kansas City

A famous jazz saxophonist's life is forever changed after he is accidentally shot.
Lulu on the Bridge

Joe Papp, the founder of the New York Shakespeare Festival and, subsequently, The Public Theater—arguably the most important theatre in North America—is profiled in this documentary that neither sanctifies nor vilifies him. He brought us free Shakespeare in the Park, Hair and A Chorus Line, and nurtured many of America’s greatest playwrights, directors and actors. His complex personality and mercurial behavior are much in evidence and spoken of with frankness through interviews with some of America’s most celebrated artists, including Meryl Streep, Christopher Walken, Martin Sheen, Kevin Kline, and James Earl Jones.
Joe Papp in Five Acts

Symphony of a big city: Manhattan's legs rush to work, to a break, to pleasure, to church - or run marathons. Thomas Struck's camera follows them at foot level. Each foot has its own rhythm, which clarinetist Don Byron transforms into jazz. But sometimes a step goes too far. Sex magazine editor Dian Hanson explains how and why.
Walk Don't Walk

A Jumpin' Night in the Garden of Eden was the first film to document the klezmer revival, tracing the efforts of two founding groups, Kapelye and Boston's Klezmer Conservatory Band, to recover the lost history of klezmer music. For nearly a millennium, this vigorous and soulful music was part of the celebration of Jewish life in Eastern Europe. In the early decades of this century, the music took root in America. Klezmer musicians learned hundreds of tunes by ear and their ears were open to Gypsy, Ukrainian and Greek melodies of the old world, as well as to the new sounds of American jazz. Music born in Eastern Europe lived on in the imaginations of composers for New York's Yiddish theater, men whose tunes entered the mainstream through such unlikely adapters as the Andrew Sisters. Eventually Klezmer went underground as its audience assimilated into mainstream American culture.