Pavel Pípal

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Set in Czechoslovakia, the drama follows the lives of its characters against the backdrop of real historical events that shape their personal stories. To evoke period atmosphere, the series intersperses authentic clips from vintage Czechoslovak film newsreels, using their original commentaries or newly recorded historical voice-overs by Vladimír Fišer. A narrator, initially voiced by Vojtěch Kotek and later by Matěj Hádek, provides continuity and reflection, guiding viewers through changing times. Under the guidance of screenwriter Rudolf Merkner, each episode’s script weaves family and individual dramas into key moments of Czech and Slovak history: political shifts, cultural trends, and social transformations from the 1960s onward.

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Otakar Vávra dedicated his latest film to events accompanying the devastation of the first World War. It takes place in representative centers of power, in the courts of Vienna, Berlin and Moscow. In parallel, it develops the fate of the Czech archivist, who will take part in the Serbian anti-Austrian branch.

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The plot begins in the Soviet Union showing first efforts to establish the Czechoslovak legion in 1942. The film also shows the assassination of Heydrich and the subsequent annihilation of Lidice. The main topis of the film is battles with German troops for Sokolovo.

On 20th of April 1945 the Soviet army launches its attack on Berlin. The end has come for Nazi Germany and Hitler decides to commit suicide. In Prague K.H. Frank (Nazi Secretary of State and Chief of police in the Protectorate of Bohemia a Moravia) discusses with his commanders how to transform the city into an impregnable fortress, but the Praguers do not intend to wait any longer. From the early hours of 4th of May people start assembling in the streets and tearing down German signs. On the next day, the 5th of May, the uprising begins.

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The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.

Two aspiring car racers have a big dream: they want to make a journey to the heart of Africa. But their value system is severely skewed, and one of them is willing to steal to do it. What's more, he causes a car accident, from which he tries to escape, and ends up in prison.

The common theme of the short story film is the famous duels between two important historical figures: Pushkin and Casanova. Pushkin's tragic duel, which ended his life prematurely, is portrayed in connection with the creation of his short story "The Dirty Shot", while Casanova's story is conceived in a rather ironic and humorous way. The point is that the famous seducer never actually seduced, on the contrary, all his life he was in a constant battle with female seductions.

The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.

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In May 1945, a woman in Marienbad reports a murder - committed in 1933 against the German emigrant Professor Lessing. She also names the murderer. Against the wishes of his superior, who does not feel responsible for this case - it was a fascist femicide - Inspector Šedý picks up the trail and arrests the murderer, the German Eckert. Eckert was a fugitive at the trial in 1933, and now the evidence is no longer available. Nevertheless, Šedý does everything he can to convict him. He finds witnesses who support him - anti-fascists, but also former collaborators who want to clear themselves. Reconstructing the case at the crime scene, Šedý is able to prove that Eckert was at least an accessory. He is convicted. After his release from prison, Eckert goes to West Germany, where he demands compensation from his former clients.

Czechoslovak counter-espionage intercepts a coded message from the West German secret service ordering death for an unknown person on Czech territory.

An interesting attempt at a postmodern crazy comedy with elements of parody. The plot turns on the search for the recipe of a liqueur made by the film’s financial backer.

In 1781, Countess Marie Karolina shelters an influential Abbé, a former Jesuit who vehemently opposes progress. Only Dr. Kamenický dares challenge him, restoring the countess’s zest for life. Her husband, obsessed with finding a hidden treasure, neglects the estate and seduces her ward Renáta. Meanwhile, returning exile Václav’s secret reunion with Frantina in cave hideouts is betrayed by jealous suitor Tomáš, who, with the Abbé’s help, unleashes a violent manhunt.

Princess Julia doesn't want to marry an old prince Hubert so she runs away from home. She meets two old magicians and join the circus, where she meets lovely Franta Kuldan and evil devil performer.