Marta Bassols

A pregnant woman navigates life as a single mom in Barcelona, facing ups and downs as she raises her toddler son in the vibrant Spanish city.

The film tells the true story of Elisa Sánchez Loriga and Marcela Gracia Ibeas, two women in 1901 Spain who fell deeply in love. To overcome societal and legal barriers to their relationship, Elisa assumes a male identity, enabling the pair to marry in secret. Their daring act makes them the first recorded same-sex couple to marry in Spain, but their love is tested as they face relentless persecution and sacrifice.

Mariana and Samuel go to live in Vallvidrera, a mountain neighbourhood in Barcelona, to raise their children in a more authentic place, far from their respective painful childhoods. There, they find a community with the same aspirations. But when tragedy shakes the neighbourhood, they dismantle their ideal, the couple's certainties begin to waver and fear settles in, coming dangerously close to everything they were trying to escape.

Three ferocious dogs keep a group of young people prisoners in the pool of a luxurious house they have snuck into, while neighbors gather at a nearby villa to celebrate the start of summer.

Mamántula is the boy everyone wants, but also a giant spider transvesting as a human, fruit of a brief encounter in the Berlin Tiergarten, in an alternate past of brutalist saunas, endless subway corridors and detectives with raincoats and hats. Each of Mamántula's lovers are a new victim of his insatiable appetite for revenge and sperm; and each victim, one more thread of the web with which he intends to apprehend the entire planet. Will Golden Dick be able to stop him? Will a couple of lovebirds with police badges get him? Or will the gay community have to step in and take the law into their own hands?

In 2052, a man wanders through a semi-constructed high rise, assassinating people without warning.

Adaptation of Alex Pareja's book

Back to the Future, Spain 1982: at a euphoric party, young people celebrate the election victory of the Socialist Party. López Carrasco stages the past with stunning precision and shows the future as a surprising result: well, the present.

There are many ways to escape and many reasons to do it. Paula and Luis escape from sadness, reality and pain in their own way. Although he has decided to get off while driving and she prefers to ignore the obvious. This tragicomedy is the revealing dialogue of a conversation as surreal as it is impossible.

Ion used to live in Berlin. He lived there with his girlfriend Marta. He had two cameras, a 16 mm one and a video tape one. Ion used to record everything in his little universe: his room, his friends, his girlfriend, the restaurant he used to work in, his tattoos and the city landscape. One day, though, Marta left him. Now, he shoots the same spaces, but without her presence. The house is empty. A personal portrait of a city and a separation.

Eugenio is a puppeteer living anchored to a wheelchair. Ramon is a young assistant that helps Eugenio day to day and is complicit in his fantasy. Sarina is no longer what she used to be and wants to leave to return to whom she was.

Eli is a fun-loving, sexual and rather cheeky woman, but she is also full of doubts and a bit broken. Eli and her baby daughter June spend the afternoon at the beach with her friends, who are almost family. Eli has become a single mother against her will. Having failed miserably in her relationship with her daughter's father and having to leave their home, Eli’s economy is in trouble. A colorful and summery story that portrays a young woman struggling to maintain her joy and dignity as everything around her is falling apart.

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Málaga, 1986. An apocalyptic catastrophe destroys the old world, giving birth to a new order where disgregation disappeared. Mathius is a fashion designer, who will discover a treasure containing still some of the magic proper of the 80´s.