Flaminia Jandolo

A greedy villain tries to coerce a woman into marrying him so he can take over her land, when a stranger rides into town intent on taking down the bad guys.

Various undesirables and hippie drifters are invited to the luxury, ultra-modern country home of Dr. Antonio and his wife; when they begin to vanish, it becomes clear that something sinister — and deadly — is afoot.

The film was directed by Giuliano Cenci with assistance from his brother Renzo. During production, Carlo Collodis grandchildren Mario and Antonio Lorenzini were consulted. The subtle movements made by fidgeting children whilst speaking or under scrutiny were incorporated into Pinocchios movements, particularly when he lies to the Fairy with the Turquoise Hair over the fate of his gold coins. For the design of the Fairy, Italian portrayals of the Blessed Virgin Mary in art were used as starting points.

The daughter of a former Neapolitan gangster, Carmela has a law degree and is set to marry an aristocrat, as her father wishes. However, she suffers from a strange form of sleepwalking: at night, she goes to the room of Totò, a young man she is completely indifferent to and who is also her father's enemy. After consulting a doctor to find out the reason for this embarrassing anomaly, Carmela realises that Totò is actually the man she is unconsciously in love with.

A young mother tries to hide her son from the man who is in love with her.

No description available.

An Italian theatrical film edited from Mazinger Z vs. Devilman, UFO Robot Grendizer vs. Great Mazinger, and Great Mazinger vs. Getter Robo.