Directing
After supervillain Shredder escapes custody, he joins forces with mad scientist Baxter Stockman and two dimwitted henchmen, Bebop and Rocksteady, to unleash a diabolical plan to take over the world. As the Turtles prepare to take on Shredder and his new crew, they find themselves facing an even greater evil with similar intentions: the notorious Krang.
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The Mangueira slum is the scenario where Tantinho and the old samba composers remember stories about the slums and samba.
Rio Branco, Acre, an Amazon city near the border with Peru and Bolivia, has been suffering the violent impacts of recent changes in trafficking routes, which have arrived with violence in the Brazilian Amazon. In this scenario, the lives of three young childhood friends intertwine and ultimately, they find themselves in a common tragedy.
The story of how the lottery invented to finance a zoo was incorporated by Rio de Janeiro's popular culture and, in the hands of organized gangsters, transformed itself into an immense crime empire.
A record on Brazilian samba school Estação Primeira de Mangueira's victory on the 2016 carnaval parade. Mangueira's parade that year was a homage to singer Maria Bethânia. The documentary also follows Bethânia on the celebrations of Our Lady of Purification, in Bahia, northeast of Brazil.
Zuzu Zero, the Angry Eagle from the Agunia team. The story of this emblematic persona is mixed with one of the most traditional parades from the suburbs of Rio de Janeiro: The Agunia do Sapê.
The story of Santinho, a young man who has been exalted to the position of a saint in a remote riverine community of the upper Amazonas state, after performing a “miracle” upon the suicide of his own mother. The film seeks to be an intimate picture of those who are involved in this sect and of the infinite human capacity of “fabricating” faith and seeking some sense in the horrifying experience of death.
The biggest names in alternative transportation reunite years after the show ended. Rogerinho is now a psychic. Renan got rich. Julinho has a death sentence hanging over him, and Maurílio created the first script.
José Henrique Fonseca crafts an ambitious and long overdue homage to a central icon in Brazil’s 20th century history. Reminiscent of film noir classics, the biopic tells the glorious and tragic story of the legendary football striker Heleno de Freitas. The sumptuous black and white cinematography reflects the chic life of Rio de Janeiro in the 1940s as it fell under the spell of sports royalty. Heleno was no doubt one of the most popular players of his time for his bravura in the field and magnificent goal-scoring that lead the Botafogo team to the top and himself into a vicious downward spiral.
The film tells the story of the largest organized crowd in Brazil, the Red Black Race, from its foundation in 1977 until 2009, whose trajectory coincides with the greatest glories of the Clube de Regatas Flamengo.
An affective, emotional, intimate and, above all, funny record of this great Brazilian comedian, from childhood to his early death, at age 43, during the 2006 World Cup in Germany.
After being released from prison, Dr. Nise da Silveira is back at work in a psychiatric hospital on the outskirts of Rio de Janeiro where she refuses to employ the new and violent electroshock in the treatment of schizophrenics. Ridiculed by doctors, she is forced to take on the abandoned Sector for Occupational Therapy, where she would start a revolution through paintings, animals and love.
In Pernambuco, a jewel robbery brings together an old group of misfits, with catastrophic results. Watched over by ghosts from the past, each of them will have to find their own way to freedom.
A hug movie, for the biggest storyteller in Latin America.
A woman lost in a mall parking lot tries desperately to find her way out. As she wanders aimlessly between parked cars, she struggles to maintain her sanity and resolve a decaying relationship via her cell phone, discovering the hard way how much she may have contributed to being the victim of her own labyrinth.
Socialism in Cuba by the eyes of four generations of Cubans.
