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Ruth Roland

Ruth Roland

Acting

Biography

American actress and film producer. Most famous for her starring roles in adventures serials produced by her own production company.

Known For

Dollar Down
7.0

Just before he propelled the crime melodrama to new, macabre heights in The Unholy Three, Browning directed this partially lost morality tale pertaining to a different kind of horror: that of a middle-class family living beyond their means and falling prey to moneylenders. Produced by and starring Ruth Roland for FBO Studios, a small operation that later became RKO Pictures, Dollar Down follows Roland as the spendthrift daughter of a manufacturing firm’s general manager (Henry Walthall), who pawns a ring purchased on credit to throw an extravagant party and sends the family’s livelihood into a tailspin. Because its last reel completely disintegrated before it could be copied, the film remains an ultra-rare curio that nonetheless captures an important chapter in Browning’s career before his successful string of films made for MGM.

Dollar Down

1925Movie
Who Pays?

Who Pays? was a series of twelve three-reel dramas, released between March and July 1915. Henry King and Ruth Roland starred in each episode, playing different roles each time, with a variety of supporting players who varied from one episode to another. Each episode told a complete and individual story, but they were all inter-related by a uniform theme. Although there were no cliff-hanger endings, each episode did, in fact, end with a challenge to the audience: Who was responsible for the misfortune of the principal characters? The titles of the twelve episodes were: #1: The Price of Fame; #2: The Pursuit of Pleasure; #3: When Justice Sleeps; #4: The Love Liar; #5: Unto Herself Alone; #6: Houses of Glass; #7: Blue Blood and Yellow; #8: Today and Tomorrow; #9: For the Commonwealth; #10: Pomp of Earth; #11: The Fruit of Folly; #12: Toil and Tyranny.

Who Pays?

1915Movie
No image
9.0

"The Scarlet Letter" is a story of early Puritan days in New England. Hester, a beautiful young Englishwoman, is sent to America by her husband, with a promise that he will follow on the next ship. But he falls to keep his promise and Hester does not hear from him in years. In the meantime she is befriended by a young Puritan minister. Friendship ripens into love and Hester, thinking her husband dead, loves the handsome young clergyman with her whole heart. But when the baby is born the minister, fearing the wrath of the Pilgrim Fathers, denies it and Hester is condemned to wear the Scarlet Letter and to stand in the pillory. And it is only after several years of Hester's shame and ignominy that the little child finally reaches the father's heart. Then comes the great scene. The minister, on a fête day, ascends the pillory, places himself where Hester had been placed, and publicly proclaims his sin.

Scarlet Letter

1908Movie
No image

A compilation of thirteen rare silent films digitized by the Library of Congress, selected for the 2022 Domitor conference theme “Copy/Rights and Early Cinema.” Drawn from nitrate and safety film, the program spans comedies, trick films, and dramas exploring censorship, invention, adaptation, and social rights. Titles include: Pruning the Movies (Nestor, 1914); Imperial Japanese Dance (Edison, 1894); Early Edison Camera Tests (Edison, c.1890s); Censorship and its Absurdities (Edison, 1915); In Wrong (Crystal, 1914, dir. Phillips Smalley); Tillie’s Tomato Surprise (Lubin, 1915, dir. Howell Hansell); Indian Land Grab (Champion, 1910); The Stolen Play (Falcon Features, 1917, dir. Harry Harvey); And the Villain Still Pursued Her (Vitagraph, 1906, dir. J. Stuart Blackton); The Doll’s Revenge (Hepworth, 1907, dir. Lewin Fitzhamon); The Disintegrated Convict (Vitagraph, 1907); The Mexican Joan of Arc (Kalem, 1911, dir. Kenean Buel); and Fads and Fashions of 1900 (U.S., 1940s).

Copyright Comedies and More

2022Movie