Giuseppe Piccioni

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

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Guido, an acclaimed writer, leads a seemingly perfect life with his wife and daughter, but his restless search for inspiration leads him into the arms of Giulia, a charming and mysterious swim instructor who's hiding a secret.

Stefano, a philosophy grad student without a future, tries to commit suicide after his girlfriend leaves him. He is saved by Giulio, a wisecracking plumber who takes him home and teaches him the tricks of the trade. When Lucia, a woman disappointed in both men and conventional jobs who has started to work as a prostitute, calls them to repair a sink, for Stefano it's love at first sight.

The rumpled owner of a dry-cleaning firm joins forces with a nun to care for an abandoned baby.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

A relationship develops between seasoned actor Stefano and his young, ambitious co-star Laura when they are cast as the two leads in a film. Stefano must deal with his growing jealousy when Laura's career begins to take off.

A neurotic lawyer is split between the desire to stay faithful to his fiancée and the one to cheat on her. Things take a turn for the literal when one night he splits into two different versions of himself, a soon-to-be-married one and a confirmed bachelor one.

Dive into the Eternal City – see Rome like you’ve never seen it before. Storefront robberies, bizarre murders, career dreamers, and cameos from Italy's foremost directors and actors feature in this star-studded omnibus tale about life and love.

Antonio is a fallen angel, a rootless chauffeur who relates only to the lonely heroes in the science fiction novels he grew up with. Only through a chance meeting with Maria, a woman struggling to hold onto her daughter and her business, does he discover a hope that's been in his detached existence.

No-nonsense workaholic Marco runs the family business along with his older brother. When the latter suddenly disappears, Marco has to put aside his job and family to search for him together with Elena, his brother's girlfriend.

Waiting for the train that will take him away, a man goes back over moments of his small-town upbringing: the relationship with his family, his involvement in the protests of 1968 and a childhood friend died too soon.

Four girls unknowingly experience the happiest days of their lives during an uneventful best-friend trip to Belgrade.

In 1938 Italy, after Jews are banned from public life, fascist-abiding restaurateur Luciano nonetheless believes he can still live by his own rules. Everything changes when Anna, a girl with a dangerous secret, begins working at his business.

In a Roman high school, a jaded art professor who lost the spark for the job clashes with an ex pupil of his, an adjunct literature teacher who is trying to rescue an eccentric and rebellious student, while the stern headmistress deals with a student from a difficult background.

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1912. Giovanni Pascoli has died, and a train leaves from Bologna for his funeral. On board, students, officials, and family, including his sister Maria, called Mariù. It is a journey of national mourning, with people from all social classes paying homage to the poet. In Mariù’s recollections, we learn how Giovanni lived: his father’s assassination, his poverty as a youth, his political activism and fraught ties to Giosuè Carducci.

The film recounts an experience, that of a director and his two actors at grips with a play: from the first meeting to the initial readings, the rehearsals done at home, the ones done on stage and finally the first performance. But an experience that took place in the peculiar situation in which the whole of Italian culture found itself in the days between the first and second wave of the pandemic, when it really seemed possible to restart and the feeling of euphoria was accompanied by the illusion that the worst was behind us. Once again we were suddenly checked in our desire for beauty, for life.

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Filmaker Alina Marazzi assembles old home movies trying to piece together the life of her mother, Liseli, who committed suicide when Alina was seven years old.