Vanderlei Bernardino

Two families, two terrible injustices, and one common plan for revenge. A daughter who loses her mother is wrongly imprisoned and murdered in prison. A mother who loses her daughter is the victim of medical malpractice. Both join forces to take revenge on those who destroyed their families.

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Pilar, a young hotel maid, has her path crossed by Shin, a middle-aged South Korean guest. The plans of both go wrong and, despite everything that separates them, they end up getting closer and establishing a relationship of solidarity.

The trajectory of Antônio Carlos Bernardes Gomes, known as Mussum, from Trapalhões. His poor childhood, his military career, his relationship with Mangueira and his success with the group Originais do Samba, as well as behind the scenes as a member of Trapalhões.

At her only child's 9th birthday, Lucas, Estela, a telemarketing operator, plans a party that has minimal chances of success.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

When a child is forced to become the house's adult because her father is sick and her mother is dead, there's an inversion in the natural order of things. Childhood becomes a saga. And the frustrated parenthood turns into a conviction.

Elisa is a journalist who becomes romantically involved with Hugo, a director of the company Jota Mineração, when she receives an order to write a story about the company. However, the relationship between the two begins to destabilize when the company that Hugo runs begins to extract gold from indigenous lands.

While two policemen discuss revenging the murder of one of their collegues, we see a murder in a men's room. Will justice be done?