Tu Kuang-chi

A righteous husband-and-wife swordfighting duo struggle to protect China from the machinations of Japanese pirates and corrupt officials.

A Hong Kong martial arts movie redubbed by situationist René Viénet. The narrative focuses on a conflict between proletarians and bureaucrats within state capitalism. The proletarians enlist their grasp of dialectics in the fight against their oppressors, while the bureaucrats defend themselves using a combination of co-optation and violence.

Chinese martial artist Huang Sheng arrives in Korea to free his uncle, who was abducted and forced to work in a concentration camp by the Japanese. Disgusted he must realize that the entire populace of the foreign province is suffering terror as well. Especially Mode Nakana and Akijame Endo and their troops oppress the people and even Tae Kwon Do master Sung Shin Shen and his pupils fail to stop the murders, rapes and robberies committed by those Japanese. Huang soon prepares himself to take on the evil 'Rising Sun’ gang to free not only his uncle but the Koreans as well...

An early Musical by the Hsin Hwa Motion Picture Company.

The New Tale of the Flying Crane (Part 2)

Lam Siu-ming cannot afford tuition and quitted school. His teacher Ms. Chui intercedes with the principal in vain. She quits. Chui became an orphanage director. She suffers from the orphans’ mischief, but she treats them with love and honesty instead of punishing them. She gets recognition from kids and colleagues. Siu-ming is expelled. He dares not go home and lives on pickpocketing with street boys. Chui learns that Siu-ming is missing and looks for him. Siu-ming feels ashamed and avoids her. Chui finds Siu-ming and takes him and the street boys to the orphanage, yet they cannot be disciplined and escape. Little Bully runs after them, but is beaten down on the railway. Siu-ming's legs are cut off by the train when he tries to save Little Bully. The escaped kids regret for this. Chui's cousin wants her to go abroad together, but at the farewell party, he is moved by the orphans, so he does not force the plan, and decides to stay behind to serve the kids.

Leader of the Celestial Devil Gang Mo Fu ends an underling to infiltrate the house of code expert Cheung Yuet-ting in pursuit of the Mafia's secret intelligence. The unyielding man is killed, and the Mafia is framed for the crime. Cheung's instrumental role in the Mafia is succeeded by his daughter Oi-lan, who leads both gangs onto a deadly chase. Just then, Oi-lan's bosom friend Chan Yu-lam emerges from years of oblivion as a Mafia member and offers the wanted woman protection and assistance in retrieving the late father's cache. Mo's underling Lau Kei-fung is assigned the task of playing the confidence game in the Cheung household, preempting Oi-lan from accessing the classified information and abducting both Oi-lan and Chan before the Mafia can reach the key witness. Acting on a tip-off, the police raid the apartment and arrest both gangs. Chan, the undercover police officer, gains both Oi-lan's trust and affection. (Synopsis based on audiovisual materials)

Mona Lam, who works for a swindling syndicate under duress, scours a nightclub for her new prey and finds the rich heir Cheng Siu-chuen. Struggling to find true bliss, the lovers gain the blessing of Lam's second uncle. On the eve of Cheng's father's birthday banquet, Lam is pressured to strike again under the watchful eye of Lucy sent by the man who's pulling the strings on the marionette behind the scenes who has threatened to kill Cheng. The quick-witted woman aborts the operation, claiming to have spotted her previous victims from amongst the guests. Her confession gains Cheng's understanding, but not his father's. The ringleader brings the liaison to an end by blackmailing the father and putting Lam under house arrest. Helping the girl flee, Second Uncle is killed in the commotion. The police act on the father's tip-off and bust the gang, clearing the way for the lovers to tie the knot.

Red Kid abducts Monk Tripitaka to turn his flesh into a feast to treat his mother Princess Iron Fan. Monkey King is subdued. Red Kid is taken as a disciple of the Goddess of Mercy. As Monk Tripitaka and his disciples reach the Flaming Mountain, they are unable to pass through it. The monk sends Monkey to borrow the princess's magic fan to disperse the fire. But the Princess still bears a grudge over her son’s destiny, wielding her fan to slap Monkey away. Monkey transforms into a bug, landing in her tea and hitting her stomach. In pain, the Princess answers his request, but she lends him a fake fan. With his request turned down by Ox King, Monkey disguises as Ox to beguile the wife and get the fan. Ox King transforms into Pigsy to snatch back the fan. Taoist God Pagoda arrives to subdue Ox in the company of Red Kid. Ox finally relents and yields the fan, which extinguishes the flames and sees the monk and his disciples safely off to a new phase of their journey.

No description available.

The film depicts Confucius's later life, as he traveled across a China divided by war and strife in an ultimately futile effort to teach various warlords and kings his particular philosophy.

This is a 1952 Hong Kong drama film directed by Bu Wancang, Kuang-Chi Tu, Wang Yin and Shankun Zhang. It stars Chou Man-Hua and Li Li-Hua.

A Songstress Called Hong Lingyan (歌女紅菱艷) aka Tears of Songstress is a 1953 Hong Kong musical drama film directed by Tu Kuang-Chi. The film was a co-production by Shaws Film Company and Far East Motion Picture Company, and is based on the screenplay by Pan Liu-Dai.

The woman thief Pak Siu-yin was discharged from prison and Inspector Chan has set a trap for Bak to lure the head of the gangster Yim Fong, who used to threaten Pak to commit crime for his gang.

No description available.

A Shaw Brothers romantic drama

The New Tale of the Flying Crane (Part 1)

No description available.

A Shaw and Sons production.

Melinda Chen Man-Ling stars in another Cathay wuxia flick.