Mário Castanheira

In a distant past, Léon and Elvira Berthelini, itinerant artists, make their living hopping from town to town. In Covarronca, harassed by the Police Commissioner, they are forced to spend the night out in the open. That’s when they meet Stubbs, a young Cambridge student, with whom they find shelter in the home of a painter at odds with his wife. In return for the hospitality, they remind their hosts that the love of art resolves the art of love. Meanwhile, an unusual curse sends them on absurd journeys into the 21st century, where the future of social security and of a rock band are at stake.

Every night, in danger of being beheaded, Scheherazade tells King Shahryar unfinished tales to continue them the following night, hence defying his promise of murdering his new wives after their wedding night. Scheherazade tells King Shahryar her stories but these are not those in the book. As in the book, these stories are tragic and comical, with rich and poor, powerless and powerful people, filled with surprising and extraordinary events.

Fed up with the sea, Paul, a Swiss mechanic working in the noisy bowels of a merchant ship, lands in Lisbon.

Rita is fifteen and spends the summer between warm afternoons of teenage love and party nights with her friend Sara. From Portugal to the South Pacific, the pleasures of this routine will take a turn when the young girl visits the art show of a new neighbor in the local community.

The journey of 11 women while they go on a pilgrimage from Bragança to Fatima.

A blind beggar is robbed of his chest of money. The theft leads to a dramatic situation in the street where he begs every day.

A young priest commits a crime when he falls in love with a beautiful and troubled woman. Based on O Crime do Padre Amaro ("The Crime of Father Amaro"), a novel by the 19th-century Portuguese writer José Maria de Eça de Queiroz. It was first published in 1875 to great controversy.

Crista, Carloto and João are building an airy greenhouse for butterflies in the garden. The three of them share household routines, day after day… And they are not the only ones.

This odd film is a major representative of an even odder film genre: direct-to-celluloid opera. It was commissioned by the Portuguese master of style, director Manoel de Oliveira from composer João Paes. Musically, it ranges from 19th-century romanticism to popular, modernist and even "post-modernist" styles. In the initially tame story, a host-narrator tells the story of a wedding between the two lovebirds: Viscount d'Aveleda and the beautiful Marguerite. However, what happens in the bridal chamber is incredibly bizarre. The events after that are even stranger, and the wedding guests and family indulge in cannibalism, among other perversions.

In the mid-20th century, a troubled relationship between Germana, a young writer, and Quina, her aunt who lives in the northern Portuguese countryside. Feelings of jealousy, admiration and the complex magnetism between these two strong women arise.

After finishing his MA in Anthropology, Hugo spends his days giving his brain a rest from the endless reading of texts by unknown authors. His only company is Luisa, the cleaning lady, with whom he plays cat and mouse. To escape the sleep of reason – which creates monsters -, Hugo exercises his lyrical vein by writing, with his friend Manuel, songs about their neighbourhood. The quiet dilettantism of our protagonist is shaken by Catarina, a young and beautiful translator who’s starting her professional life as a freelancer. Hugo is hooked and wavers. High above, a kestrel falcon hovers. It’s not the only bird of prey that can do it.

A regular family living in the outskirts of Lisbon sees the serenity of their lives shaken beyond any remedy within a week.

The start of Luís Rovisco’s old age isn’t exactly cheerful. Already in his sixties, he’s still roaming the country by himself, carrying out his tasks — increasingly less real — as sales director for the company SegurVale. Sadness, resignation? Not with the songs Luís makes up behind the wheel, and that take over this film from start to finish.

A surreal odyssey in which a melancholic maidservant crosses paths with a homicidal little boy, travels to a tiny island of pirates and encounters a man with multiple personalities.

A disturbing film about the Portuguese underworld of prostitution.

Jim is a small child who lives in an inn run by his parents. The arrival of a strange captain to the Island they live will trouble his existence and tip him into an universe of adventures.

No description available.

This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.

A writer becomes the main character in the story he intended to write

In oPorto there is a club, Imperatriz, where everything is permitted. A moment in which all intersect in the dark night.