Tamitaro Onoe

In late 19th-century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that the praise he receives is only due to his status as his father's heir. Devastated, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully joins him.

The earliest existing version (incomplete) of Mito Komon history. It was one of the most famous (and most filmed) Jidaigeki stories. Lord Mito is the sage who wanders the countryside rectifying government corruption along with his faithful attendants Suke-san and Kaku-san.

Yaji and Kita: Yasuda's Rescue is a 1927 black and white Japanese silent film directed by Tomiyasu Ikeda.[1] This comedy film showcases the comic talent of Denjiro Okochi, which contrasts markedly with his heroic performance in Oatsurae Jirokichi Koshi. The humorous exchanges with Goro Kawabe, his senior at Nikkatsu, can be priceless, with the expressions and movements of the two goofy characters making for pure, hilarious slapstick comedy. A 15-minute remnant of the film was released on DVD by Digital Meme with benshi accompaniment by Midori Sawato and Ryubi Kato.

A lost film by Masahiro Makino

For nearly 300 years, Japan had been hermetically sealed to the outside world. When, in that pivotal year of 1854, the American Admiral Perry took the direct approach that the Dutch had been unwilling to take, the ruling Shogun knew that the dynasty was over. As the shogun began to open up to the outside world, the Sonno Joi movement called for this to be reversed...

No description available.

Yaji and Kita: The Battle of Toba Fushimi is a 1928 Japanese film directed by Tomiyasu Ikeda.[1] This comedy film showcases the acting talent of Denjirō Ōkōchi and acts as a complementary film to Yaji and Kita: Yasuda's Rescue, which is part of the Yaji and Kita series. An 8-minute remnant of the film was released on DVD by Digital Meme with a benshi accompaniment by Midori Sawato. The version in the National Film Center is 23 minutes long.